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Witchcraft for Wayward Girls

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Witchcraft for Wayward Girls

著者: Grady Hendrix
ナレーター: Leslie Howard, Hillary Huber, Sara Morsey
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"Superb ... a perfect horror for our imperfect age.”–The New York Times

There’s power in a book…

They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.

Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.

Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid...and it’s usually paid in blood.

In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

©2024 Grady Hendrix (P)2024 Penguin Audio
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批評家のレビュー

“Hendrix’s genius as a horror writer is his ability to develop complex, human-scale emotional arcs. He gilds these dramas with a glorious, gory layer of monsters and magic, but in his work, the uncanny exists primarily to symbolize real-world issues. His characters are complex, particularly the women, and don’t fall into the easy tropes that often plague horror stories…never before has one of his books so aptly met the moment…at turns frightening, anxiety-producing, infuriating, beautiful and sad.”–The New York Times

“Fantastic … Hendrix is a wizard at mixing together tropes of terror in thought-provoking ways.”–Minnesota Star Tribune

"There's spells, there's witches, and then there's the magic Grady Hendrix conjures up in this amazing novel."–Stephen Graham Jones, New York Times bestselling author of I Was a Teenage Slasher

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