New Books in Sound Studies

著者： New Books Network
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  • Interviews with scholars of sound about their new books. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    New Books Network
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Interviews with scholars of sound about their new books. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
New Books Network
社会科学
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  • Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)

    Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)
    2024/11/22
    On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    35 分
  • The World According to Sound

    The World According to Sound
    2024/11/18
    The World According to Sound is the brainchild of two rogue audionauts who rebelled against the NPR mothership: Chris Hoff and Sam Harnett. It began as a micro podcast that held one unique sound under the microscope for 90 seconds each episode. Then it became something much more ambitious: a live sonic Odyssey in 8-channel surround sound. Starting January, Harnett and Hoff bring their realtime soundtrips direct to your home headphones via the internet in their winter listening series. We are sure that Phantom Power listeners will love this experience. And right now, you can buy tickets for 25% off with the promo code phantompower25. (As a public university employee, I should probably note that I am not receiving financial compensation through this promo code. –Mack) In this episode, host Mack Hagood talks to Harnett and Hoff about why they grew frustrated with working in public radio and how they now assemble sonic experiences that don’t impose a fixed narrative on their listeners. We also listen to some fantastic excerpts from their upcoming listening series. We also briefly discuss a sound art classic, I am sitting in a room by Alvin Lucier. You can hear Lucier perform the piece in this video from an MIT symposium in 2014. Shortly after our interview, Lucier passed away at the age of 90. May he Rest In Peace. Today’s show was written and edited by Mack Hagood. Music by Graeme Gibson. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    48 分
  • R. Murray Schaffer (1933-2021), Part 2

    R. Murray Schaffer (1933-2021), Part 2
    2024/11/11
    How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada’s most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren’t done arguing with him. Works discussed in this episode: Jonathan Sterne’s first book, The Audible Past, includes critiques of Schafer’s work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer’s term soundscape. Listen, a short film on Schafer directed by David New, includes Shafer’s claim that recorded sounds are not “real sound.” Hildegard Westerkamp’s Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today. An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre’s music library. Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube. Mitchell Akiyama’s critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology). The program notes (PDF) to Schafer’s North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson’s book Hungry Listening opens with Schafer’s insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music. The Vancouver Chamber Choir shares this performance of Schafer’s “Miniwanka” complete with a side scrolling presentation of the graphic score. Today’s music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    50 分

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