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For three days in the fall of 1846, US and Mexican soldiers fought fiercely in the picturesque city of Monterrey, turning the Northern Mexican town, known for its towering mountains and luxurious gardens, into one of the 19th century's most gruesome battlefields. Led by Brigadier General Zachary Taylor, graduates of the US Military Academy encountered a city almost perfectly protected by mountains, a river, and a vast plain.

By July 1536, Alvar Núñez Cabeza de Vaca (c. 1490 - 1559) and three other survivors had walked 2,500 miles from Texas, across northern Mexico, to Sonora and ultimately to Mexico City. Cabeza de Vaca's account of this astonishing journey is now recognized as one of the great travel stories of all time and a touchstone of New World literature.

In 1826, when the story begins, the region was claimed by both Mexico and the United States. Neither country knew much about the lands crossed by such rivers as the Guadalupe, Brazos, Nueces, Trinity, and Rio Grande. Jean Louis Berlandier, a French naturalist, was part of a team sent out by the Mexican Boundary Commission to explore the area. His role was to collect specimens of flora and fauna and to record detailed observations of the landscapes and peoples through which the exploring party traveled.

Porfirio Díaz. Su vida y su tiempo narra la historia de uno de los personajes más fascinantes en la historia de México. Héroe para unos, villano para otros, su vida de soldado ilustra en plenitud una novela de aventuras del siglo XIX. Es el tema que aborda La guerra. Díaz nació en un mundo donde la gente despertaba a las cuatro de la madrugada para rezar el Rosario; formó parte de la generación que derribó a sablazos aquel mundo durante la Reforma y destacó como nadie en la lucha contra la Intervención y el Imperio.

Nada queda de la antigua civilización Mesoamericana que se autodenominaba los Mexicas, mejor conocidos por nosotros como los aztecas. Nada excepto su notable historia. En este libro, discutimos sus orígenes enigmáticos y cómo los Aztecas se elevaron de las tribus nómadas al poder dominante en Mesoamérica a una velocidad asombrosa. Vagará por las calles de su gran ciudad capital, Tenochtitlán, conocida como "la Venecia del Nuevo Mundo" entre los conquistadores españoles, que difundieron el término por toda Europa.

The ordeal of the whaleship Essex was an event as mythic in the 19th century as the sinking of the Titanic was in the 20th. In 1819, the Essex left Nantucket for the South Pacific with 20 crew members aboard. In the middle of the South Pacific the ship was rammed and sunk by an angry sperm whale. The crew drifted for more than 90 days in three tiny whaleboats, succumbing to weather, hunger, disease, and ultimately turning to drastic measures in the fight for survival.

Did you know the Olmecs might have been the first people to introduce writing? The first people who managed to elevate themselves to civilized life were the Olmecs. But they remain relatively unknown. In this new captivating history audiobook, you will discover the truth about the earliest known civilization in America.

After a decade of chasing stories around the globe, intrepid travel writer Stephanie Elizondo Griest followed the magnetic pull home - only to discover that her native South Texas had been radically transformed in her absence. Ravaged by drug wars and barricaded by an 18-foot steel wall, her ancestral land had become the nation's foremost crossing ground for undocumented workers, many of whom perished along the way.

La leyenda de Francisco "Pancho" Villa está saturada de heroísmo, tragedia y romanticismo; es la historia de un campesino pobre que se convierte en bandolero por necesidad, por haber vengado una injusticia sobre su familia; la del genio militar que primero huye del gobierno opresor, y después, frente al ejército revolucionario más grande en la historia de su país, lo derrota y se convierte en el liberador de México, sólo para volver a caer en la desgracia cuando sus tropas lo abandonan o son liquidadas por el enemigo.

There may be no story today with a wider gap between fact and fiction than the relationship between the United States and Mexico. Through portraits of business leaders, migrants, chefs, movie directors, police officers, and media and sports executives, Andrew Selee looks at this emerging Mexico, showing how it increasingly influences our daily lives in the United States in surprising ways - the jobs we do, the goods we consume, and even the new technology and entertainment we enjoy.

Historian Isaac Campos combines wide-ranging archival research with the latest scholarship on the social and cultural dimensions of drug-related behavior in this telling of marijuana's remarkable history in Mexico. Introduced in the sixteenth century by the Spanish, cannabis came to Mexico as an industrial fiber and symbol of European empire. But, Campos demonstrates, as it gradually spread to indigenous pharmacopoeias, then prisons and soldiers' barracks, it took on both a Mexican name -marijuana - and identity as a quintessentially "Mexican" drug.

While Mexicans were hopeful for economic reform following the Mexican revolution, by the 1930s, large numbers of Mexican nationals had already moved north and were living in the United States in one of the 20th century's most massive movements of migratory workers. Fernando Saúl Alanis Enciso provides an illuminating backstory that demonstrates how fluid and controversial the immigration and labor situation between Mexico and the United States was in the 20th century and continues to be in the 21st.

Random House presents the audiobook edition of The Line Becomes a River, written and read by Francisco Cantú. How does a line in the sand become a barrier that people will risk everything to cross? Francisco Cantú was a US Border Patrol agent from 2008 to 2012. He worked the desert along the Mexican border, at the remote crossroads of drug routes and smuggling corridors, tracking humans through blistering days and frigid nights across a vast terrain. He detains the exhausted and the parched.

It was a moment unique in human history: the face-to-face meeting between two men from civilizations a world apart. In 1519, Hernán Cortés arrived on the shores of Mexico, determined not only to expand the Spanish empire but to convert the natives to Catholicism and carry off a fortune in gold. That he saw nothing paradoxical in his intentions is one of the most remarkable and tragic aspects of this unforgettable story.

In 1519, the Spanish conquistador Hernando Cortés first met Montezuma, the Aztec emperor, at the entrance to the capital city of Tenochtitlan. This introduction - the prelude to the Spanish seizure of Mexico City and to European colonization of the mainland of the Americas - has long been the symbol of Cortés' bold and brilliant military genius. Montezuma, on the other hand, is remembered as a coward who gave away a vast empire and touched off a wave of colonial invasions across the hemisphere. But is this really what happened?

Around the world, certain drinks - especially those of the intoxicating kind - are synonymous with their peoples and cultures. For Mexico, this drink is tequila. For many, tequila can conjure up scenes of body shots on Cancún bars and coolly garnished margaritas on sandy beaches. Its power is equally strong within Mexico, though there the drink is more often sipped rather than shot, enjoyed casually among friends, and used to commemorate occasions from the everyday to the sacred.

This is the untold story of the American federal agent who captured the world's most wanted drug lord. Every generation has its larger-than-life criminal legend living beyond the reach of the law: Billy the Kid, Al Capone, Ronnie Biggs, Pablo Escobar. But for every one of these criminals, there's a Wyatt Earp, Pat Garrett or Slipper of the Yard. For Joaquín Archivaldo Guzmán-Loera, aka 'El Chapo' - the 21st century's most notorious criminal - that man is DEA Special Agent Cole Merrell.

“Pancho Villa,” people whispered at the beginning of the 20th century, "can march 100 miles without stopping, live 100 days without food, go 100 nights without sleep, and kill 100 men without remorse." The legend of Francisco Villa is full of heroism, tragedy and romance. It is the story of a poor farmer boy who became a bandit out of necessity, after avenging an injustice on his family; a military genius who flew from an oppressive government to lead the largest revolutionary army in his country's history, and defeated dictatorship to become Mexico´s liberator, only to fall again in disgrace when his troops abandoned him or were massacred by the enemy. Pancho Villa and his cavalry, Mexicans point out with a certain amount of pride, invaded the United States, and although they came and tried to capture him, they never found him. This is, at least, the version that most of them know, but it's certainly not the same as in their textbooks. The story of Francisco Villa bypassed official censorship from generation to generation, like leaves sailing at full speed on the surface of a stream.

To his contemporaries in Gilded Age Manhattan, Guillermo Eliseo was a fantastically wealthy Mexican, the proud owner of a luxury apartment overlooking Central Park, a busy Wall Street office, and scores of mines and haciendas in Mexico. But for all his obvious riches and his elegant appearance, Eliseo was also the possessor of a devastating secret: He was not, in fact, from Mexico at all. Rather, he had begun life as a slave named William Ellis, born on a cotton plantation in Texas during the waning years of King Cotton.

La otra historia de México: Hidalgo e Iturbide, es la otra historia de México, donde sus héroes y heroínas no son de bronce o mármol, sino hombres y mujeres sujetos a la grandeza y las miserias de la condición humana. Es aquella que nos permite replantearnos quien es el verdadero Padre de la Patria y cuestionar el papel de los llamados villanos y traidores que señalan los libros de texto.