検索キーワード： グラフィックデザイン

Many designers struggle with creating profitability in their design businesses. This is because they do not have the tools to build a creative business that thrives financially.

¡Son tantas las cosas que pasan desapercibidas! Realizamos muchas tareas simultáneamente, cambiamos de una pantalla a otra, trabajamos rápido. Pero ¿te has preguntado cuándo fue la última vez que hiciste una pausa para apreciar un objeto bello o un paisaje cautivador? Y sin embargo, estos son los momentos en los que nuestro espíritu se eleva. El diseñador Alan Moore nos invita a reflexionar no solo sobre lo que producimos -un sitio web, una silla o un negocio-, sino también sobre el cómo y el porqué. Y nos anima a aportar valor, utilidad y belleza en aquello que hagamos.

A charming and indispensable tour of two thousand years of the written word, Shady Characters weaves a fascinating trail across the parallel histories of language and typography. Whether investigating the asterisk (*) and dagger (†)—which alternately illuminated and skewered heretical verses of the early Bible—or the at sign (@), which languished in obscurity for centuries until rescued by the Internet, Keith Houston draws on myriad sources to chart the life and times of these enigmatic squiggles, both exotic (¶) and everyday (&).

Cinco años y 15.000 ejemplares después, Alejandra G. Remón presenta una edición actualizada de su exitosa ópera prima. «Un fragmento hecho de muchos fragmentos de su vida. [...] Ni hipérboles, ni dobles tintas, a Remón le gusta la frase clara, directa.» Tentaciones / El País Cuando nadie mira suceden las cosas, el silencio, el amor, lo imposible, la soledad y el desierto, las conversaciones de amantes, el coraje y el mar, la amistad, incluso los libros. Lo que pasa por nuestra cabeza cuando nadie mira...

You’ve always wanted to take your art to the next level. Now you can!

John Baskerville was a maverick lacquer maker and printer in Birmingham, a flamboyant dresser, a key figure in the enlightenment. Though it earned him little money, he was obsessive about both his typeface and its appearance on the page, using a new form of paper to show it at its best. His perfection culminated in his Bible, acclaimed as the finest ever made. The story encompasses one of the first women of typography, his wife Sarah Baskerville, and the many typefaces the Baskervilles inspired.

The story of Albertus is one of displacement (designer Berthold Wolpe was a German Jewish refugee who went on to design the masthead for The Times), but also one of permanence, for it has proved a fresh, vibrant and indestructible face for almost a century. In this unique celebration, the designer's children reveal the history of its creation and erratic brilliance of their father, while the book grapples with one of the fundamental artistic questions: what makes great art not only survive but flourish in each new age and medium?

This quirky and unique book examines how the computer transformed type into something that anyone could use and have an opinion on; how a typeface, correctly used, may sell us almost anything; and how new types with names such as Sunday Flicker, Pinky Stone and Irongate (to name but three out of the hundreds issued this year) each attempt to keep the alphabet exciting and new.