検索キーワード： 著者 "James N" すべてのカテゴリー

Contains books three and four of the Galactic Law series.

A review of Anselm Kiefer exhibition at White Cube Bermonday tours room by room, with analytic descriptions of the large scale works on view.

A review of the retrospective exhibition of sculptor Sir Antony Gormley OBE held at the Royal Academy London. Encounters varied works from studies and notebooks to gigantic installations.

A review of Nam June Paik at Tate Modern, explores the exhibition room by room. "When asked about his practice Paik replied "I am aware of Zen, but I am an artist: I react to Zen in the same way I react to the music of Johan Sebastian Bach."

Review of the exhibition of visionary artist William Blake at Tate Britain, September 2019: The exhibition is arranged in eight rooms of the downstairs gallery spaces of Tate Britain, low-lit, maroon-painted walls, a very comprehensive collection of a highly original and complex visionary creator.

After dying, losing his soulmate twice, building elemental cannons, and knocking down more than metaphorical walls for the Crimson Alliance, Vlad is looking for a place to call his own: a crafting guild that will be able to produce the most overpowered loot the world of VGO has ever seen. Gathering his personal guard, Vlad sets off across the monster-infested Storme Marshes to find the perfect power source, hidden away in the guts of a mysterious sunken ruin. Unfortunately, the mob from old Earth hasn't forgotten him, and Vlad isn't the only one with a thirst for forbidden inventions.

Seven days in Funchal on the Island of Madeira. Journal notes of the settings, locations, and personal stories in diary entries.

The end of the world is not such a bad thing for Russian weapons engineer Vlad Nardoir. Really, his world ended six months ago when his wife died, and ever since then, things have been downhill. Soul-crushing medical debt. Favors to the Russian mafia. Now, asteroid. For Vlad, this is life in a nutshell. But, in a wild twist of fate, he has found a way out. A chance to start fresh in a brand-new ultra-immersive MMORPG called Viridian Gate Online. Making the leap might kill him, but again, death is not such a bad thing for a man with nothing to live for.

Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films.

The 251st Summer Exhibition at the Royal Academy London in a review recorded at the press view on 3rd June 2019. The Summer Exhibition is most popular event in the nation’s cultural calendar, and commercially the most successful. It allows works in all media, print/photography/painting/sculpture/architectural models - with rooms arranged by different Royal Academicians, some of whom, like Barbara Rae’s Arctic room, set a theme to their hang.

Viewing the exhibition at the Ashmolean Museum Oxford by American Artist Jeff Koons (born 1955). Considers sculptures such as Silvered Ballerinas, a Magenta Balloon Venus, and GPS System. Also the artist's re-constitution of classic works by Titiam, Rubens, and Gericault with the inclusion of a blue glass sphere.

A recorded visit to van Gogh and Britain considers the work of Vincent van Gogh (1853-1890) placed in the context of British art and literature of the 19th century and his effect on succeeding generations of artists.

In a collection of works and artist’s notes, the listener is introduced to the intimate process of landscape painting; from the initial choice of the subject and theme to detail the formation of a work. Oils, watercolors, drawings, and sketchbooks include views of the Sussex Downs, Cornwall, and Dartmoor and abroad in France, Greece, and Southern Spain; with studies of London, Paris, and work from the model, made in live studios.

The End is Coming. An extinction-level asteroid is cannonballing toward Earth. In humanity’s final hours, a lucky few earn a one-way ticket to the brand-new, ultra-immersive, fantasy-based VRMMORPG, Viridian Gate Online. Making that leap of faith might mean survival, but it comes with a steep price tag: “Travelers” will forever be stranded as digital avatars inside a fantastical world filled with vicious monsters, all-powerful AIs, and cutthroat players. Let the games begin....

Harry S. Truman, a farmer and soldier from Missouri and a latecomer to politics, was thrust unexpectedly into the presidency when President Roo­sevelt died in office with World War II raging in Europe. Truman was a plain-speaking, decisive, and sometimes impulsive leader who dropped the atomic bomb to end the war.

Successful foreign policy is largely invisible. It often means paying up front for benefits that are hard to see until you lose them.

Interview with leading British sculptor Alison Wilding, RA, recorded at Tannery Street Studio, Bermondsey, in 1995. She describes the making of Harbour, in alabaster and pvc moulding, and Echo, a stainless steel sculpture exhibited at Karsten Schubert. Sourcing materials, the levels of the work; assistant Adam Kershaw; and its relation to other contemporary works.

In September 1972, three graduates rented two floors above a cash and carry warehouse at 65A Lisson Street, West London. After a couple of months, one emptied his studio, the first floor front room, and opened the space for exhibitions. There followed a spate of invented artists which made humorous comments on the high-flown conceptual arena. In 1974, the gallery strengthened its identity with the Gallery London Displays, a series developed with sculptor Vaughan Grylls.

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.