Your Stupid Minds returns to the world of Andy Sidaris in 1990's Guns, with all your favorite Sidaris tropes: babes, hunks, Hawaii, remote control boats, regular sized boats, backwards planes, rocket launchers, motorcycles inside vans, poor marksmanship, helicopters, and so on. Starring Dona Speir, Erik Estrada, Phyllis Davis, Danny Trejo, Amon-Ra St. Brown's dad, and about 14,000 other people. With the return of special guest Nico Mesa!

International criminal the Jack of Diamonds (Estrada) concocts a convoluted plan to kill off secret agent Donna Hamilton's (Speir) friends to distract her from noticing a Chinese gun smuggling operation he's at the center of (you know they're Chinese guns because each one has a red star sticker printed off of their home inkjet printer).

Despite his cross-dressing hitmen killing the wrong person, the plan works and Donna and her team of bodacious 80s agents descend on Las Vegas (and, when they feel like it, Lake Havasu City, Arizona) to shoot guys with bazookas, copulate on top of motorcycles, and rotate through a menagerie of exotic vehicles to catch this bad guy who they haven't even identified. Also, Jack kidnaps ADA Kathryn Hamilton (Davis), who happens to be... Donna's mom?

Will Donna stop the bad guy? Will she save her mom? Will she blow up Erik Estrada with four bazooka blasts? Is there any of Danny Trejo's famous dummy work? You'll have to listen to find out!

In his attempt to distance himself from the increasingly tedious God's Not Dead franchise, David A.R. White tries out a standard action thriller with the finest washed up actors Hollywood has to offer. It's 2025's A Line of Fire, starring Cuba Gooding Jr., Jason Patric, Katrina Bowden, and Scott Baio.

Cash (White) is a retired FBI agent, widower, great dad, fantastic cook, and patriot with amazing hair who everyone likes and is cool. When his former partner is gunned down at a yacht party by GTA Online maniacs on WaveRunners, her niece Jamie (Bowden) retreats to a safe house and calls Cash for help. He takes time out of being the greatest dad and man who's ever lived to save her, gunning down meaty goons with CGI muzzle flashes and computer squibs.

Despite being the greatest FBI agent to ever live and smartest man alive, he seems unconcerned that every time he calls his former FBI buddies for help, his plans are thwarted by the homicidal drug cartel. Josef (Patric) knows his every move: casting his chess piece acolytes across the board via Facetime from his Southern California McMansion. Meanwhile, Javier (Gooding Jr.) traipses around his chaste fully-clothed Miami strip club, fielding Zoom calls for his drug empire over the sound of quiet club music.

Can Cash save Jamie and his daughters (who are of course kidnapped) in time? Can he trust his former FBI colleagues, such as the Nick Offerman-y Rocco (Tommy Snider) or the fashion homunculus Joan Rycker (Eve Richards, whose acting is so bad it makes me question the order of the universe)? You'll have to listen to find out!

Did you know they made a Red Sonja remake in 2025? You didn't? Well they did. Here it is. It's 2025's Red Sonja, starring Matilda Lutz, Robert Sheehan, and Wallis Day.

Red Sonja (Lutz) is a young Hyrkanian girl whose village is destroyed by some evil emperor. She spends the next 20 years or so wandering around in the woods with her horse, completely incurious of the apparently vast diaspora of her people across the land. Eventually the new emperor Draygan (Sheehan) sends some guys to kill fantasy forest rhinos. Red Sonja gets mad and starts a fight with his Mercy Graves style henchwoman (slash lover? Unclear) Annisia (Day). Red Sonja loses and is imprisoned inside a little mini-Gladiator ripoff movie in the middle of this movie.

When he was young, Draygan stole half of the holy book of the Hyrkanian people, using its knowledge of power orbs, flamethrowers, and RobCo brain-computer interface chips to escape slavery and ascend to emperor.

Red Sonja fights her way out of gladiatorial bondage, still keeping her signature chainmail bikini so online weirdos don't get mad at the movie. Can she save the land and avenge her people? Is Draygan really so bad? And what's in the second half of the holy book? Maybe like a nine-bolted crossbow or a Super Soaker that shoots acid? Who knows! You'll have to listen to find out.

Your Stupid Minds is back in 2026 with 1995's Man of the House, part of a crop of mid-90s Disney live action comedies about how hard it is to be a father or whatever. Starring Chevy Chase, Farrah Fawcett, Jonathan Taylor Thomas, and George Wendt.

After Ben's (JTT) father left the family years ago, he has formed a close bond with his mother Sandy (Fawcett) and is wary of her new fiancé, U.S. Attorney Jack (Chase). In an effort to bond with his future stepson, Jack joins the Indian Guides and befriends a bunch of weirdos, including pack (or whatever, I only know Boy Scout terms) leader Chet (Wendt). Eventually, through the ancient art of being corny as hell, Jack slowly grows a connection with Ben and cracks his cool Six Flags appareled 90s exterior.

Meanwhile in a completely different movie, Jack has put away a stereotypical mob guy in prison for fifty years and the bumbling mobster son has vowed revenge. In the climactic finale, the mob son and his doofy capos traipse around the woods of the Pacific Northwest trying to assassinate Clark Griswold like they're in that Pine Barrens episode of The Sopranos. Since this is a Disney family comedy, spoiler alert, Chevy Chase isn't assassinated by mobsters.

Per holiday tradition, Your Stupid Minds returns with another Hallmark Christmas movie, one that is so insulting not even Hallmark Christmas movie fans like it. It's 2022's Christmas Bedtime Stories, starring Erin Cahill, Steve Lund, and Charlie Weber.

Danielle (Cahill) is a war widow mother whose perfect Marine husband was killed in combat three years prior. Christmas is coming up and, since all major events in her life revolve around Christmas, she's feeling the loss especially hard. These feelings are exacerbated when her chaste Ken doll boyfriend Pierce (Lund) proposes. She says yes, but then starts to see some undeniable signs of her dead husband: lights flickering, a man in a military town wearing a Marine Corps jacket, snow in Virginia in late December. Undeniable.

The movie putters along with 50 different conversations of people coming up to people and asking "heeeyyyy, are you okay?" Danielle talks to her sister and friend (or are these the same person?) who materialize in her living room with a glass of Sauvignon Blanc whenever she needs to talk.

Meanwhile, her daughter Audrey (Alice Comer) has some consternation over the upcoming father-daughter dance, which takes place at school smack dab in the middle of winter break and seems like a particularly cruel event to host in a military town, where presumably half of the fathers are currently on deployment. A classmate is bullying Audrey for having a dead dad, but since this is a Hallmark movie this confrontation occurs off screen to avoid any unnecessary intrigue or drama. Who will take her to the father-daughter dance? Does she even really care that much?

After this relatively rote romp through familiar Hallmark tropes, the movie completely nukes all of the difficult themes it was attempting to address with an ending so stupid it actually made me like the movie a lot more. To find out what it is you'll just have to listen (or watch the movie, I guess). Also Nancy Grace co-wrote this. What's up with that?

Your Stupid Minds returns after a brief unplanned hiatus to give you a film generally reviled in both concept and execution across the entire political spectrum. It's hopefully one of Disney's last romps into the live action remake sphere: 2025's Snow White.

We're all familiar with the formula by now: take an animated classic from the back catalogue, cast someone who can sing as the lead, someone who can't sing as the villain, fill the rest of the roles with nobodies you can pay scale, add some lens flares and CGI nightmares and shove it into theaters for a cool billion dollar global gross. This has worked time and time again despite its overwhelming superfluousness, but Snow White seems to have burst the bubble through a combination of political turmoil, excessive padding, and nightmare dwarfs.

Snow White (Rachel Zegler) is a nice lady whose queen mom dies and king dad marries the Evil Queen (Gal Gadot). The Evil Queen turns everything bad, but as long as her magic mirror tells her she's hot then Snow White is safe. One day the mirror says she isn't the hottest, and Snow White goes on the run to hide out with a cabin full of horrid looking CGI dwarfs. The 2025 version adds a bunch of dwarf lore where they have magic powers that help them find gems. This does not come up later.

Snow White meets Jonathan (Andrew Burnap) a scrappier Han Solo style update of the prince from the original film. They have some repartee and then fall in love. This version adds some new forgettable songs and expands existing songs unnecessarily in order to pad this thing out to modern acceptable feature length. They all Les Mis up to the castle at the end to confront the Evil Queen and everyone eats apple pies forever. The end.

Note: Apologies for the quality of my audio track. The recorder was low on batteries so I decided to switch to USB power, which resulted in some kind of interference. I cleaned it up to an acceptable state, but I promise it won't happen again.

After a contentious bidding war with New Line Cinema, Miramax was determined to revamp the Halloween franchise with this jumbled mess. It's 1995's Halloween: The Curse of Michael Myers, starring Donald Pleasance, Marianne Hagan, Kim Darby, and Paul Rudd.

When Michael Myers and his niece Jamie (J.C. Brandy) are kidnapped by cultists at the end of Halloween V: The Revenge of Michael Myers (don't worry, we get into the series chronology in the episode), Jamie is forced to give birth to a baby for we assume child sacrifice purposes. She escapes with her newborn but is murdered by Michael; the killer is singularly determined to wipe out his entire bloodline (but is shockingly not very adept at it).

Meanwhile, a new Strode family has moved into Michael's murder mansion. Kara (Hagan) is a young woman trying to get her life back on track with her six year old son Danny (Devin Gardner). Much like his namesake in The Shining, Danny has special murderer powers and voices in his head, but unlike The Shining, this is unimportant and barely comes up.

Tommy Doyle (Rudd, credited as Paul Stephen Rudd in this pre-Clueless role) is the kid from the first movie who talks about the Bogeyman. This run-in with Michael 17 years prior has left him traumatized and obsessed with the killer, researching occult reasons for his murder spree on the mid-90s internet. He finds Jamie's baby at a bus station and lackadaisically decides to take care of it while they kinda figure out a way to do something. Also Dr. Loomis (Pleasance) is back on his perpetual mission to find and apprehend Michael.

Will these characters intersect? Does this movie have a purpose? Is Michael's mask too large, thick, and lumpy? Will someone get electrocuted so bad his head explodes? You'll have to listen to find out.

Your Stupid Minds starts its spooktacular October with a Spanish/Italian collab that numerous Letterboxd reviews describe as "giallo meets Scooby Doo," presumably because there's one mask reveal and some Italians are involved. It's 1972's The Murder Mansion!

After an "exciting" car/motorcycle chase, speed demon Fred (Andrés Resino) steals comely hitchhiker Laura (Lisa Leonardo) from sweaty creep Mr. Porter (Franco Fantasia). Meanwhile, neurotic divorcee Elsa (Analía Gadé) races off into the foggy night with some other people. They all find themselves lost in the fog (even after Fred asks directions from the Grim Reaper) and end up at the titular murder mansion, an old house in the foothills of Spain with its very own cemetery! It's overseen by the young Martha Clinton, a descendant of the house's original satanic inhabitants.

Soon, strange things begin to occur, not entirely spurred by Fred's morbid fascination with going to the basement. A lumbering chauffeur (not unlike Maniac Cop or Tor Johnson) and an old woman (not unlike Vampiria or an elderly version of Martha) keep menacing the house guests.

Is the house really supernatural, or is there a a more earthly, Giallo-like explanation? How many times will Fred go to the basement? Will a murder ever happen in the murder mansion? You'll just have to listen to find out!