Audible会員プラン登録で、20万以上の対象タイトルが聴き放題。

プレビューの再生
  • How to Write a Script With Dialogue that Doesn't Suck (ScriptBully Book Series)

  • 著者: Michael Rogan
  • ナレーター: Greg Zarcone
  • 再生時間: 52 分

聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30%OFFで購入できます。

無料体験で、20万以上の対象作品が聴き放題に
アプリならオフライン再生可能
プロの声優や俳優の朗読も楽しめる
Audibleでしか聴けない本やポッドキャストも多数
無料体験終了後は月額¥1,500。いつでも退会できます。

How to Write a Script With Dialogue that Doesn't Suck (ScriptBully Book Series)

著者: Michael Rogan
ナレーター: Greg Zarcone
¥350で会員登録し購入

無料体験終了後は月額¥1,500。いつでも退会できます。

¥500 で購入

¥500 で購入

下4桁がのクレジットカードで支払う
ボタンを押すと、Audibleの利用規約およびAmazonのプライバシー規約同意したものとみなされます。支払方法および返品等についてはこちら

あらすじ・解説

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years.

But, in my not so humble opinion, they're both total bullcrap. Yes, when learning how to write a movie you want to focus on structure and plot. And you don't want dialogue-heavy scenes where characters sit in coffee shops for three pages. But dialogue is the ONE PART of movie scripts that readers, producers, story editors and development exectuives will absolutely read. The same can't be said for your scene description.

I know, that breaks your heart. (You spent hours working on your lean description of a car chase involving nuns on mopeds). But when skimming, and lots of script readers skim, dialogue is the most efficient/easiest way to do it. So if it's so important how he heck do we get you better at it.

©2013 Michael Rogan (P)2013 Michael Rogan

How to Write a Script With Dialogue that Doesn't Suck (ScriptBully Book Series)に寄せられたリスナーの声

カスタマーレビュー:以下のタブを選択することで、他のサイトのレビューをご覧になれます。