The Place We Make
Breaking the Legacy of Legalized Hate
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The Place We Make
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ナレーター：
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Sarah L. Sanderson
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Chanté Griffin
このコンテンツについて
A thoughtful investigation into the incredible true story of a Black man convicted and exiled under the Oregon Exclusion Law in 1851—and a contemporary White woman wrestling with racism and faith after learning she’s a descendant of two men who assisted in the exile.
“A beautiful rendering of an ugly history. A worthy read.”—Chanté Griffin, advocate, journalist, and author
A SOJOURNERS BEST BOOK OF THE YEAR
Moving back to the outskirts of Portland, called the “Whitest city in America,” prompted Sarah’s curiosity about the colonization of the West, her ancestors, and the legal exile of a Black man. She examined four city leaders involved in Jacob Vanderpool’s case—Oregon City’s founder, the case judge, Jacob’s accuser, and a local pastor—and the cultural and theological fallout of their decisions. Along the way, Sarah took a hard look at her tendencies, unconscious and deliberate, to ignore the possibility of prejudice in her heart.
Vanderpool’s case proved a fascinating lens on a far bigger story than one trial, illuminating truths to help us all come to honest terms with our past, learn to repent, and contribute to the good of the people and places around us.
Journey through this sensitive expedition into the events that remain a thorn under America’s skin and discover afresh the vast potential of the flawed but endlessly redeemable—human heart.
©2023 Sarah L. Sanderson (P)2023 Random House Audio批評家のレビュー
“Through her own story, written in beautiful prose, Sarah demonstrates that we do not live in an historical vacuum. On the contrary, the specters of American history will only be laid to rest when we acknowledge their presence in the past and present.” —Marlena Graves, author of The Way Up Is Down: Becoming Yourself by Forgetting Yourself
“Ambitious in scope, The Place We Make is part cultural and geographic history, part spiritual memoir, with thoroughly researched original source documents and contemporary voices. The structure of the book alternates between historical profiles from Vanderpool’s context and Sanderson’s personal moves from the places of ignorance, silence, and exclusion toward empathy, self-disclosure, and community. It is no small task to write as a confessional Christian while clearly identifying the numerous ways Christianity has served to create and perpetuate white supremacy. Sanderson tackles this challenge with humility, often citing theologians and Christians of color who have been wrestling with this paradox from the beginning of colonial modernity.” —Sojourners
“A beautiful rendering of an ugly historya worthy read.” —Chanté Griffin, advocate, journalist, and author