• 5. Computational chemistry for sustainability with Dr. Martina Lessio

  • 2022/12/12
  • 再生時間: 15 分
  • ポッドキャスト

5. Computational chemistry for sustainability with Dr. Martina Lessio

  • サマリー

  • Martina Lessio, Scientia Lecturer in the School of Chemistry at UNSW Sydney, and her team are researching the best uses for minerals for purifying water, how we can use carbon dioxide and plastic waste for energy storage, and how we can preserve valuable marble artworks from water damage. How does she do so many things at once? Join this conversation with Martina to find out how high-performance computing makes all this possible.


    Find out more:

    Dr. Martina Lessio

    Website: https://www.unsw.edu.au/staff/martina-lessio

    Twitter: https://twitter.com/martina_lessio


    Learn more about the National Computational Infrastructure (NCI):


    Website: https://nci.org.au/

    Twitter: https://twitter.com/NCInews

    LinkedIn: https://www.linkedin.com/company/national-computational-infrastructure/


    Thanks to James Beattie (ANU) for the astrophysics visualisation used in the artwork, and to Andy Maher for the show production (andymaher.com).

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あらすじ・解説

Martina Lessio, Scientia Lecturer in the School of Chemistry at UNSW Sydney, and her team are researching the best uses for minerals for purifying water, how we can use carbon dioxide and plastic waste for energy storage, and how we can preserve valuable marble artworks from water damage. How does she do so many things at once? Join this conversation with Martina to find out how high-performance computing makes all this possible.


Find out more:

Dr. Martina Lessio

Website: https://www.unsw.edu.au/staff/martina-lessio

Twitter: https://twitter.com/martina_lessio


Learn more about the National Computational Infrastructure (NCI):


Website: https://nci.org.au/

Twitter: https://twitter.com/NCInews

LinkedIn: https://www.linkedin.com/company/national-computational-infrastructure/


Thanks to James Beattie (ANU) for the astrophysics visualisation used in the artwork, and to Andy Maher for the show production (andymaher.com).

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