This one again. This story won’t leave me alone. This is a re-telling of Merlin’s story as it comes through me often. We have little on record of this battle, the battle of Arfderydd recorded in the year 573. It’s location is thought to have been in what is now an old field just north of the Scottish- English border. And it is recorded as one of the three futile battles of Britain.

It is also recorded that this is the battle in which merlin went mad and spend 3 days and 3 nights without food, drink or sleep in the wildwood.

In this telling the story of the battle and what happened after is my imagining - having spend time up there on that land and time fasting out in the woods. the prophesy at the end of this telling has been recorded in multiple ways in multiple texts.

I recommend you give yourself some space to listen to this one. It’s not good driving material. It might require you to dig into your own loss, and what we’ve lost collectively. And from that the seeds of knowing push through the dark soil bringing new life. I invite you to reflect on what it might mean to turn yourself into soil.

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This story captured my heart when I first heard it. It comes from the Irish Travelers tradition and is recorded in a beautiful book called "Why the Moon Travels" by Oein BeBhairduin. These tales stand out to me as distinct from most other Celtic tales that I have come across, they explain the origins of things in a way I am used to coming across in Native American stories but not Celtic ones.

This story carries a world wide theme of women who work to spin and weave in addition to plant lore and magical instruction. All in a short little folktale!

I offer this as an honoring to all those who work for benefit of others and the ancestors who got us here.

I highly recommend Oein's book, there's a link here to purchase a copy. Enjoy.To delve deeper into the images and archetypes that stand out for you in this story I invite you to subscribe to the free email course: Working with Archetypes here https://soul.kathoughton.com/working-with-archetypes

Stories of the seal people are prevalent all along the west coast of Ireland and Scotland and up into the Faroe Islands. if you’ve spend any time wandering the shorelines of those places you’ll know why - the seals are very present, you can hear them breathing and see their big, brown eyes watching you as they hover on that threshold between sky and water. And if you’r lucky you might see them on that other threshold between water and land.

There’s a whole genre of folktales about the seal folk that were carried for countless generations by tellers in clans that claimed to be descended from them.

This is one take that has found it’s way around many storytelling circles and I read the bones of it in Sharon Blackie’s book, If Women Rose Rooted. It’s full of mythic themes of transformation and the power of experiencing loss, and what happens when we refuse to experience loss, which I won’t attempt to explain but instead let the story do it’s work with you.

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There are variations of the Fairy Midwife story from up and down the British Isles, it seems to be ubiquitous and wound deep into the fabric of Celtic lore. This is my own telling of this old story that highlights the complex role midwives have played in our cultures. These women who stand at the portal between the worlds assist in births, and deaths, and the opening to The Otherworld in more ways than we tend to recognize. The midwife reminds us that the Otherworld is always there, always available, if we just have the eyes to see and the ears to listen.

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This is the second part of the first branch of the Mabinogi that we began in the last episode. These tales carried in the oral tradition of the ancient Britons contain teachings about how to be. Here our hero, Pwyll Prince of Dyfed, faces more trials as he learns about the importance of consent and generosity from a female tutor.

Rhiannon is a beguiling figure who appears from the Otherworld but moves into the human realm over the course of this and the next installment. She carries much wisdom. Her name is a mystery, some scholars suggest it may mean Great Queen. She is strongly associated with horses and the European Celtic goddess Epona, as will become clear in the following episode.

These stories were written down 900 years ago in Medieval Wales but were likely told for countless generations before that up and down the land where the ancient Celtic Britons roamed, before the Romans, Anglos, Saxons or Normans.

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Nine hundred years ago in Medieval Wales, an unknown author wrote down tales that have been carried in the oral tradition for at least 2,000 years. Some think this collection of tales, known as The Mabinogion, is much older than that. This story, about Pwyll Prince of Dyfed is set before the Saxons, before the Romans, in a time when the native Brittons roamed freely across most of what is now Wales, England and Scotland.

The Mabinogion are thought to be a collection of teaching tales for young nobles. This first one is a story of male initiation. Pwyll’s mentor shows up as Arawn King of Annwfn, which is the Welsh Otherworld. Annwfn translates as the very deep, inner world. This is an encounter with the Magical Huntsman who appears frequently in Celtic lore, you may have come across him as Gwyn ap Nudd.

Whomever wrote down these stories put a Christian veneer on them, but the bulk of them remain decidedly pre-Christian. This is the first section of what is knows as the First Branch of the Mabinogi, there are two more sections in the branch and three more branches. I'll be recording re-tellings of the other parts over the next few months.

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This story grabbed my attention and I'm still not sure why, it's deeper mysteries have yet to be revealed to me. I keep telling it as a way to honor the medicine it carries and let it sink further into me. I'm very curious to know what you make of it.

The Lad of the Skins is from the Fianna Cycle of Irish mythology. These tales of the Fianna, a roving band of warrior-poets, were told all across Ireland and the Scottish Highlands and Islands. They still are. They are set in the third century CE and often feature Finn, whom we met in Episode 9 The Salmon of Wisdom. But in this tale Finn takes a back seat to this mysterious stranger who steps into their circle one evening.

I trust that stories that insist I tell them have something to say to me and whomever chooses to listen. So I offer you this one, that has been quite vocal about being told, knowing that whatever it opens up for you will been a gift on your path.

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This story is again from my home of the Scottish Borders. It continues the theme of the last two episodes, these extreme moments of total enlightenment after the accidental consumption of a magical liquid - just like Taliesin in Wales and Finn McCoull in Ireland. Michael Scott was a historical person in the early thirteenth century who became knows as the Border's Wizard.

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He was a highly educated man who studied in some of the finest schools of the time in Europe and translated Arabic texts. He likely held much esoteric knowledge. Another legend tells that he created the Eildon Hill in the Borders by cutting a larger hill in three pieces. The Eildons, you might remember from Episode 1, are where Thomas the Rhymer was whisked away by the Queen of Elphame.

We may never know the reality of Michael Scott's knowledge and magical ability but this is one story that became attached to his name over the years and survived into our time as part of the lore of the Scottish Borders.

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To delve deeper into the images and archetypes that stand out for you in this story I invite you to subscribe to the free email course: Working with Archetypes here https://soul.kathoughton.com/working-with-archetypes