『A Haunting on the Hill』のカバーアート

A Haunting on the Hill

A Novel

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A Haunting on the Hill

著者: Elizabeth Hand
ナレーター: Carol Monda
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From award-winning author Elizabeth Hand comes the first-ever novel authorized to return to the world of Shirley Jackson's The Haunting of Hill House—a "scary and beautifully written" (Neil Gaiman) new story of isolation and longing perfect for our present time.

Open the door . . . .

Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.

Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . .

"A fitting—and frightening—homage."—New York Times Book Review

"It’s thrilling to find this is a true hybrid of these two ingenious women’s work—a novel with all the chills of Jackson that also highlights the contemporary flavor and evocative writing of Hand."—Washington Post

"Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision."—Paul Tremblay

"Eerily beautiful, strangely seductive, and genuinely upsetting."—Alix E. Harrow

©2023 Elizabeth Hand (P)2023 Mulholland Books
ゴシック サスペンス 心理学

批評家のレビュー

“Scary and beautifully written, imbued with the same sense of dread and inevitability as Jackson’s original, A Haunting on the Hill is quite extraordinary. It's not pastiche, not ventriloquism. It puts me strongly in mind of a singer you love covering a song by another artist. It's that song but now it's being done by someone else. Remarkable.”—Neil Gaiman

"The lines of paranoia, art, and reality are terrifyingly blurred for our group of hungry and damaged actors cloistered within the moldering walls of Hill House. Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision with a twenty-first century twist. The old place is as creepy, disorienting, and menacing as ever."—Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World

“Hill House is back and haunting as ever in this vividly imagined return to Shirley Jackson’s iconic setting. Elizabeth Hand weaves eerie beauty into the genuine terror lurking in her pages, crafting some of the most striking scares I’ve read in years. This book gave me the best kind of nightmares."—Ana Reyes, New York Times bestselling author of The House in the Pines

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