A Woman in Berlin
Eight Weeks in the Conquered City: A Diary
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A Woman in Berlin
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ナレーター：
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Isabel Keating
このコンテンツについて
A New York Times Book Review Editors' Choice
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex World War II relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject—the mass rape suffered by all, regardless of age or infirmity.
A Woman in Berlin stands as "one of the essential books for understanding war and life" (A. S. Byatt, author of Possession).
批評家のレビュー
"A WOMAN IN BERLIN ranks as one of the great historical diaries." -AudioFile Earphones Award
“A devastating book. It is matter-of-fact, makes no attempt to score political points, does not attempt to solicit sympathy for its protagonist, and yet is among the most chilling indictments of war I have ever read. Everybody, in particular every woman, ought to read it.” —Arundhati Roy, Booker Prize-winning author of The God of Small Things
“Her journal earns a particular place in the archives of recollection. This is because it neither condemns nor forgives: not her countrymen, not her occupiers, and not, remarkably, herself. . . . Stands gritty and obdurate among a swirl of revisionist currents that variously have asserted and disputed the inherent nature of Germans' national guilt . . .To put it briefly, Anonymous writes a merciless account of what individuals can be faced with when all material and social props collapse.” —The Boston Globe
“A riveting account of a military atrocity . . . The author doesn't try to explain or moralize the horror. She simply records it as perhaps no one else has, in all of its devastating essence.” —The New York Observer