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Babysitter

著者: Joyce Carol Oates
ナレーター: Cassandra Campbell, Kirby Heyborne, Max Meyers
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あらすじ・解説

From one of America’s most renowned storytellers—the bestselling author of Blonde—comes a novel about love and deceit, and lust and redemption, against a backdrop of shocking murders in the affluent suburbs of Detroit.

"Hannah’s unreliable, elliptical narrative is seductive and compelling, like following someone into a fever dream ... [Oates] is in no hurry to trigger the action, dropping tiny morsels of foreshadowing to keep us on our toes."—The New York Times Book Review

“Unsettling, mysterious, deft, sinister, eerily plausible.”—Margaret Atwood, best-selling author of The Handmaid's Tale and The Testaments, via Twitter

In the waning days of the turbulent 1970s, in the wake of unsolved child-killings that have shocked Detroit, the lives of several residents are drawn together with tragic consequences.

There is Hannah, wife of a prominent local businessman, who has begun an affair with a darkly charismatic stranger whose identity remains elusive; Mikey, a canny street hustler who finds himself on a chilling mission to rectify injustice; and the serial killer known as Babysitter, an enigmatic and terrifying figure at the periphery of elite Detroit. As Babysitter continues his rampage of abductions and killings, these individuals intersect with one another in startling and unexpected ways.

Suspenseful, brilliantly orchestrated, and engrossing, Babysitter is a starkly narrated exploration of the riskiness of pursuing alternate lives, calling into question how far we are willing to go to protect those whom we cherish most. In its scathing indictment of corrupt politics, unexamined racism, and the enabling of sexual predation in America, Babysitter is a thrilling work of contemporary fiction.

©2022 Joyce Carol Oates (P)2022 Random House Audio

批評家のレビュー

“[Oates] writes beautifully. Hannah’s unreliable, elliptical narrative is seductive and compelling, like following someone into a fever dream . . . Oates masterfully manipulates the narrative timeline, without losing the reader in the process. She is in no hurry to trigger the action, dropping tiny morsels of foreshadowing to keep us on our toes . . . Babysitter is a ghost story without the ghosts, but with tension thick enough to inspire several heart attacks. Read with care.”—Oyinkan Braithwaite, The New York Times Book Review

“Violent and vile, timely and terrifying . . . [Babysitter’s] pages are lit up by Oates’s searing rage about patriarchy’s toxic stain, the church’s enabling of and eager participation in the sexual predation of children, racism’s pernicious taint . . . Oates’s ability to create a sickening sense of horror is as keen as ever . . . Oates’s righteous anger, her ability to invest her story with mythological resonance, and her talent at creating eerie scenes all make Babysitter a worthwhile read.”—Priscilla Gilman, The Boston Globe

“[Babysitter] is a wild and panoramic piece of work, the serial killer’s activities a mere backdrop to a pinpoint vision of a society with rottenness at its core . . . To be able to write with such tearing astuteness about such fiercely contemporary issues would be a feat for any author of any age . . . As ever, Oates’s prose—almost insolently alive—would seem to break all the rules. The result is nothing less than magical . . . Definitely one of Oates’s finest achievements to date, Babysitter is an unforgettable portrait.”—Julie Myerson, The Guardian

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