Bangkok Wakes to Rain
A Novel
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Bangkok Wakes to Rain
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ナレーター：
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Euan Morton
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"Recreates the experience of living in Thailand's aqueous climate so viscerally that you can feel the water rising around your ankles." (Ron Charles, Washington Post)
"Important, ambitious, and accomplished." (Mohsin Hamid, New York Times best-selling author of Exit West)
A missionary doctor pines for his native New England even as he succumbs to the vibrant chaos of 19th-century Siam. A post-World War II society woman marries, mothers, and holds court, little suspecting her solitary fate. A jazz pianist in the age of rock, haunted by his own ghosts, is summoned to appease the house's resident spirits. In the present, a young woman tries to outpace the long shadow of her political past. And in a New Krungthep yet to come, savvy teenagers row tourists past landmarks of the drowned old city they themselves do not remember. Time collapses as these lives collide and converge, linked by the forces voraciously making and remaking the amphibious, ever-morphing capital itself. Bangkok Wakes to Rain is an elegy for what time erases and a love song to all that persists, yearning, into the unknowable future.
©2019 Pitchaya Sudbanthad (P)2019 Penguin Audio批評家のレビュー
Named a Best Book of 2019 by The New York Times, The Washington Post, Paste, and Kirkus
"[An examination of] hidden, overlooked spaces, where ghosts and spirits and discarded dreams orbit, even as people try to outpace the past...[stories] intersect and build on one another, like banana leaves woven to make a floating offering for the water spirits.... Bangkok is changing too fast, shedding layers of its history like the skins of a snake. Yet the city retains its allure, and the quest to return is like some animal." (New York Times Book Review Editor's Choice)
"Fluid in its structure and aqueous in its themes, the novel vividly evokes the teeming, sweltering city." (The New Yorker)
"Captures the nation’s lush history in all its turbulence and resilience...flowing gracefully from historical fiction to contemporary realism to science fiction... Entrancing... Sudbanthad’s narrative is not just a tribute to his home, it’s an act of resistance against the city’s mildew and amnesia…a way of preserving what is otherwise inscribed only on the liquid surface of memory." (Washington Post)