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Bloodland
- A Novel
- ナレーター： Peter Berkrot
- 再生時間： 11 時間 13 分
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Bloodland
あらすじ・解説
A helicopter crash off the coast of Ireland sends unexpected ripples through the international community in this intricate new thriller from the author of Winterland and Limitless (now a major motion picture).
Susie Monaghan was on the cusp of stardom when her life was cut short by a tragic helicopter crash. After a full investigation, her death was ruled an accident: case closed. But a hungry young journalist named Jimmy Gilroy isn't buying the official story. Before dying, Susie's path had crossed with an unlikely gallery of powerful men: an ex-prime minister with a carefully guarded secret; the businessman brother of a U.S. senator angling for the Oval Office; and a billionaire investor with his eye on an extremely rare commodity. Might there also be a link between Susie's death and a deranged security contractor operating in Congo?
Piece by piece, Jimmy uncovers a bizarre nexus of coincidence among these disparate people and events, revealing a conspiracy of frightening reach and consequence - one that could cost him his life.
Set against a vividly drawn world of corporate and political intrigue, Alan Glynn's Bloodland is a riveting paranoid thriller of uncommon depth and pause-resistant suspense.
批評家のレビュー
“Glynn plays out these grand themes--the global economic crisis, America's battle with China for dominance in Africa, the human costs of illegal mining--on a very personal scale, through a group of deeply flawed but compelling characters.” —NPR
“Scarily plausible in a way that eludes most thriller writers, with an alarmingly authentic cast of control freaks and loose cannons…I've not read such a multilayered, expertly plotted portrayal of arrogance, greed, and hubris in a long time. [There are] echoes of John le Carré, 24, and James Ellroy here, but Glynn's talent is all his own, and his ability to ratchet up the tension is eye-popping.” —The Guardian (London)
“Stunningly intricate...like an amped-up twenty-first-century version of Dashiell Hammett's The Glass Key.” —Los Angeles Review of Books