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Dayspring

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Dayspring

著者: Anthony Oliveira
ナレーター: Davin Babulal, Landon Doak, Kai Cheng Thom, David Demchuk, Anthony Oliveira, Rowan Jette Knox, Alicia Elliott, Nadia Shammas, Iain Stewart, Amanda Cordner, Carole Pope
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NATIONAL BESTSELLER • WINNER OF THE 2024 DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERS • One of Indigo's Top 10 Literary Fiction Books of 2024 and Top 100 Books of 2024 • One of CBC's Best Canadian Fiction of 2024

A singular, stunning debut that transcends and transfigures genre—at once a bold retelling of biblical tales and an unforgettable contemporary coming-of-age story, connected in collapsing time across millennia.


There are few love stories in the holy books. Love is what ruins. Love is what costs. Love is a flaming sword at our backs, a garden left to ruin and to wild.

In Dayspring, Anthony Oliveira brings to vibrant, glorious life the gospel according to the disciple Christ loved—his companion in the days before the crucifixion, the only instrument that remembers with fidelity his sound.

Sacred, profane, and rich with explicit desire and a poetic attention to form, Dayspring weaves electric and heart-wrenching stories of passion, grief, destruction, and survival into a narrative unmoored in space and time, one that re-examines and re-frames great and doomed figures from scripture and history, even as it casts its keen eye on the trials of modern life.

Seamlessly blending fiction, memoir, and verse in the exhilarating tradition of Anne Carson and Madeline Miller, Dayspring is an immersive, mesmerizing work, one that wrenches beauty from cataclysm and finds bliss in apocalypse.

©2024 Anthony Oliveira (P)2024 Strange Light
文学・フィクション

批評家のレビュー

“Ambitiously and audaciously, Anthony Oliveira transforms scripture into a poetic and erotic queer love story. Dayspring crosses centuries and genres, bends fan fiction into dazzling verse, and mixes the sacred and the profane with the sublime and the perverse. In a sly nod to red letter bibles, Oliveira uses blood-coloured ink to render the words of Jesus, who emerges as fallible and playful, horny and tender. With the heft of a tome, the lure of a page-turner, and the sweep of an epic poem, Dayspring is an effervescent and poignant work about love and humanity.”
—2024 Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers jury (Jillian Christmas, Adam Garnet Jones, and Hazel Jane Plante)

"What can one say about a masterpiece? Refracting and recombining Christ's journey in the Gospels with the contemporary queer experience—very often the author's own—Anthony Oliveira commingles the earthly and the divine in a deliciously daring work that defies categorization. God is love, we are told, and Dayspring celebrates and interrogates that love in all its forms, illuminating the sacred and the profane in equal measure. Bracing and breathtaking, it is a glorious gift to the soul and the senses. This is a magnificent debut!"
—David Demchuk, author of Red X

“Anthony Oliveira’s literary debut delivers a deluge of erotic and sensuous love that challenges our expectations of religious devotion. ‘the body is a leaky vessel’ announces the beloved disciple in a melancholic meditation on the crucifixion, and Dayspring, in all its carnality, overflows with the passion of Oliveira’s appeal for a Christian love that is unapologetically queer. In a masterful display of literary experimentation that explodes the boundary between verse and prose and that shuttles its readers between pre- and postmodernity, Dayspring highlights the eroticism of the Christian mystical tradition and, like Hadewijch, Mechthild, and Teresa before it, teaches that ecstatic love can be both joyful and excruciatingly painful, sacred and profane, human and divine.”
—Kris J. Trujillo, Assistant Professor, Department of Comparative Literature and Director of Studies, Center for the Study of Gender and Sexuality, The University of Chicago

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