『Eastman Was Here』のカバーアート

Eastman Was Here

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Eastman Was Here

著者: Alex Gilvarry
ナレーター: Bronson Pinchot
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An ambitious new novel set in the literary world of 1970s New York, following a washed-up writer in an errant quest to pick up the pieces of his life.

One of The Millions' Most Anticipated Books of the Second Half of 2017

The year is 1973, and Alan Eastman, a public intellectual, accidental cultural critic, washed-up war journalist, husband, and philanderer finds himself alone on the floor of his study in an existential crisis. His wife has taken their kids and left him to live with her mother in New Jersey, and his best work feels as though it is years behind him. In the depths of despair, he receives an unexpected and unwelcome phone call from his old rival dating back to his days on the Harvard literary journal, offering him the chance to go to Vietnam to write the definitive account of the end of America's longest war. Seeing his opportunity to regain his wife's love and admiration while reclaiming his former literary glory, he sets out for Vietnam. But instead of the return to form as a pioneering war correspondent that he had hoped for, he finds himself in Saigon, grappling with the same problems he thought he'd left back in New York.

Following his widely acclaimed debut, From the Memoirs of a Non-Enemy Combatant, Alex Gilvarry employs the same thoughtful yet dark sense of humor in Eastman Was Here to capture one irredeemable man's search for meaning in the face of advancing age, fading love, and a rapidly changing world.

©2017 Alex Gilvarry (P)2017 Penguin Audio
ダークユーモア 文芸小説 歴史小説

批評家のレビュー

"Absorbing...Gilvarry has given us a portrait of toxic masculinity - one that feels as if it both belongs to a certain time and is still familiar. His Eastman is a riveting, loathsome presence who demands to be loved and remembered." (The Boston Globe)

“A lampoonish send-up of the fragile male ego…. This may be one of the sadder books you read this summer, but it may also be the funniest." (The Paris Review)

“Inappropriate, egotistical, (very funny).... [A] satirical novel about the type of macho public intellectual, journalist, and cultural critic that one hopes is a relic of the past.” (Esquire, The Best Books of 2017)

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