Oh the Glory of It All
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ナレーター:
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Scott Brick
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著者:
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Sean Wilsey
このコンテンツについて
In the most talked-about memoir of the year, a founding editor of McSweeney's gives us his wise, electric, and painfully funny story.
"In the beginning we were happy. And we were always excessive. So in the beginning we were happy to excess." With these opening lines Sean Wilsey takes us on an exhilarating tour of life in the strangest, wealthiest, and most grandiose of families.
Sean's blonde-bombshell mother regularly entertains Black Panthers and movie stars in her marble and glass penthouse, "800 feet in the air above San Francisco". His enigmatic father uses a jet helicopter to drop Sean off at the video arcade and lectures his son on proper hygiene in public restrooms, "You should wash your hands first, before you use the urinal. Not after. Your penis isn't dirty. But your hands are."
When Sean turns nine years old, his father divorces his mother and marries her best friend. Sean's life blows apart. His mother first invites him to commit suicide with her, then has a "vision" of salvation that requires packing her Louis Vuitton luggage and traveling the globe, a retinue of multiracial children in tow. Her goal: peace on earth (and a Nobel Prize). Sean meets Indira Gandhi, Helmut Kohl, Menachem Begin, and the pope, hoping each one might come back to San Francisco and persuade his father to rejoin the family.
With its multiplicity of settings and kaleidoscopic mix of preoccupations - sex, Russia, jet helicopters, seismic upheaval, boarding schools, Middle Earth, skinheads, home improvement, suicide, skateboarding, Sovietology, public transportation, massage, Christian fundamentalism, dogs, Texas, global thermonuclear war, truth, evil, masturbation, hope, Bethlehem, CT, eventual salvation...Oh the Glory of It All is memoir as bildungsroman as explosion.
©2005 Sean Wilsey (P)2005 Penguin Audio and Books on Tape, Inc.批評家のレビュー
"The cliché ‘truth is stranger than fiction’ may well have been coined to describe Sean Wilsey’s wild, wise, and whip-smart memoir." (Elle)
"[An] irreverent and remarkably candid memoir about growing up in wealthy eighties San Francisco...rollicking, ruthless...ultimately generous-hearted." (Vogue)
"A vivid mix of brio, self-awareness and sophistication...writing well is indeed the best revenge." (The New York Times Book Review)