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On the Road

著者: Jack Kerouac
ナレーター: David Carradine
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あらすじ・解説

The classic novel of freedom and the search for authenticity that defined a generation

On the Road chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make On the Road an inspirational work of lasting importance. Kerouac’s classic novel of freedom and longing defined what it meant to be “Beat” and has inspired every generation since its initial publication more than fifty years ago. This Penguin Classics edition contains an introduction by Ann Charters.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Listeners trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

©1955 Jack Kerouac (original material) . Copyright renewed © Stella Kerouac 1983. Copyright renewed © Stella and Jan Kerouac 1985 (P)1986 LFP Holding, Inc.

批評家のレビュー

One of The Atlantic’s Great American Novels of the Past 100 Years

"An authentic work of art...the most beautifully executed, the clearest and the most important utterance yet made by the generation Kerouac himself named years ago as 'beat,' and whose principal avatar he is." (Gilbert Millstein, The New York Times)

"On the Road has the kind of drive that blasts through to a large public.... What makes the novel really important, what gives it that drive is a genuine new, engaging and exciting prose style.... What keeps the book going is the power and beauty of the writing." (Kenneth Rexroth, San Francisco Chronicle)

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