Somebody Else Sold the World
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ナレーター:
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Adrian Matejka
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著者:
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Adrian Matejka
このコンテンツについて
A resonant new collection on love and persistence from the author of The Big Smoke, a finalist for the National Book Award and the Pulitzer Prize.
The poems in Adrian Matejka's newest and fifth collection, Somebody Else Sold the World, meditate on the ways we exist in an uncontrollable world: in love and its aftermaths, in families that divide themselves, in protest-filled streets, in isolation as routines become obsolete because of lockdown orders and curfews. Somebody Else uses past and future touchstones like pop songs, love notes, and imaginary gossip to illuminate those moments of splendor that persist even in exhaustion. These poems show that there are many possibilities of brightness and hope, even in the middle of pandemics and revolutions.
©2021 Adrian Matejka (P)2021 Penguin Audio批評家のレビュー
“With tenderness and intimacy, Somebody Else Sold the World highlights what has been lost, what might be recoverable, in these 'wrong-noted' days...what Matejka gets fascinatingly right is how the speakers in Somebody Else Sold the World balance anxieties of care against nostalgia and just how aware they are of feeling lost within the present, of being out-of-time.... Matejka’s command of melody and prosody is striking, especially in combination with the offbeat moments of humor and surrealism that strengthen the collection. What results is a kind of song that captures both lightness and heaviness of the current moment. Refusing the appeal of an uncomplicated cathartic release, Somebody Else insists on vulnerability, on admitting what has gone wrong, while acknowledging the difficulties in wrestling with 'what comes after” the selling of our world.'” (Poetry Foundation)
“Soulful, sonorous poems about romance, fatherhood, and other forms of intimacy. Matejka sings a blues of loss and longing but resists despair as a foregone conclusion, identifying potential for harmony even in sources of harm.” (The New Yorker)
“Matejka’s up-to-the-minute collection, his fifth, turns to poetry as a way to process the sometimes surreal disruptions of the pandemic, when people wore 'Different / kinds of masks for being & breathing.'” (The New York Times Book Review)