Audible会員プラン登録で、20万以上の対象タイトルが聴き放題。

プレビューの再生

聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30%OFFで購入できます。

無料体験で、20万以上の対象作品が聴き放題に
アプリならオフライン再生可能
プロの声優や俳優の朗読も楽しめる
Audibleでしか聴けない本やポッドキャストも多数
無料体験終了後は月額¥1,500。いつでも退会できます。

Started Early, Took My Dog

著者: Kate Atkinson
ナレーター: Graeme Malcolm
¥2,100で会員登録し購入

無料体験終了後は月額¥1,500。いつでも退会できます。

¥3,000 で購入

¥3,000 で購入

下4桁がのクレジットカードで支払う
ボタンを押すと、Audibleの利用規約およびAmazonのプライバシー規約同意したものとみなされます。支払方法および返品等についてはこちら

あらすじ・解説

Waterhouse leads a quiet, ordered life as a retired police detective - a life that takes a surprising turn when she encounters Kelly Cross, a habitual offender, dragging a young child through town. Both appear miserable and better off without each other - or so decides Tracy, in a snap decision that surprises herself as much as Kelly.

Suddenly burdened with a small child, Tracy soon learns her parental inexperience is actually the least of her problems, as much larger ones loom for her and her young charge.

Meanwhile, Jackson Brodie, the beloved detective of novels such as Case Histories, is embarking on a different sort of rescue - that of an abused dog. Dog in tow, Jackson is about to learn, along with Tracy, that no good deed goes unpunished.

©2010 Kate Atkinson (P)2011 Hachette Audio

Audible制作部より

Hard-boiled with a heart of gold what more do you want in a private eye? But Jackson Brodie, in Kate Atkinson’s Started Early, Took My Dog, is no stereotypical gumshoe. For one thing, the Yorkshireman reads Emily Dickinson, quoted in the novel’s title. A recurrent character in previous Atkinson novels, Brodie here shares a plot with the equally compelling Tracy Waterhouse, a retired Police Superintendent turned mall cop.

Atkinson’s wonderfully woven tale features more complex and credible characters than are often found in the murder mystery genre. And narrator Graeme Malcolm realizes them with pitch-perfect, understated brio befitting the grief, longing, jadedness, and cautious joy they variously express. While the characters all possess been-around-the block, self-mocking voices, Malcolm, while making each personality distinct, conveys the raw and secret sorrow that’s within them all underneath the cynicism.

Early in the story, Tracy acts on a radical impulse. Middle-aged and single, she takes a child actually purchases one from a criminal and abusive mother. Handing the mother a wad of cash intended for home renovations in exchange for a bedraggled 4-year-old girl, Tracy begins a fugitive life, instantly, unsentimentally mothering on the fly. She’s pursued, but not, as she assumes, for kidnapping, but because years earlier she investigated the murder of a prostitute before superiors took the case from her. That case featured the first of the novel’s many ‘lost children’: the prostitute’s son.

This same crime draws Brodie’s interest on behalf of a client seeking her biological mother. Forever haunted by the murder of his sister when he was a child, Brodie is aware of his penchant for lost girls and the women they have become, both professionally and in his failed marriages.

Meanwhile, there is a third central character, the elderly, increasingly senile actress, Tilly Squires, playing her last role on a TV soap and still mourning the baby she aborted decades ago, while under the spell of a rival actress ‘friend’. Malcolm movingly and without melodrama takes us afloat her streams of consciousness and stumblings for elusive words and wallets.

Atkinson’s plot threads back and forth between the 1970s and the present; Malcolm agilely indicates time changes with the subtlest of pauses and inflections. Shepherding us through the unraveling of the mystery, he lets us experience the palpable sense Atkinson conveys of the profound, unremitting consequences born of an abandoned or neglected child. But in the end, we also feel, as Dickinson notes, that hope can be “heard it in the chillest land, and on the strangest sea”. Elly Schull Meeks

Started Early, Took My Dogに寄せられたリスナーの声

カスタマーレビュー:以下のタブを選択することで、他のサイトのレビューをご覧になれます。