『Stone Yard Devotional』のカバーアート

Stone Yard Devotional

A Novel

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Stone Yard Devotional

著者: Charlotte Wood
ナレーター: Ailsa Piper
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Shortlisted for the 2024 Booker Prize, a novel about forgiveness, grief, and what it means to be good, from the award-winning author of The Weekend.

Stone Yard Devotional is as extraordinary as you’ve heard.”—Ron Charles, The Washington Post

“An exquisite, wrenching novel of leaving your life behind.”—Lauren Christensen, New York Times

"Meditative (but by no means uneventful)."—New York Times

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

But disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, each day signaling a new battle against the rising infestation. Second is the return of the skeletal remains of a sister who disappeared decades before, presumed murdered. And finally, a troubling visitor plunges the narrator further back into her past.

Meditative, moving, and finely observed, Stone Yard Devotional is a seminal novel from a writer of rare power, exploring what it means to retreat from the world, the true nature of forgiveness, and the sustained effect of grief on the human soul.

©2025 Charlotte Wood (P)2025 Penguin Audio
大衆小説 女性文学 文芸小説 田舎町・農村

批評家のレビュー

"Founded on the same rock of introspection that anchors the Gilead series….Stone Yard Devotional not only stays aloft but soars… A strange sense of engagement with these pages gives way to sheer gratitude for the chance to be in the presence of such restraint and wisdom.”–Washington Post

“The novel is, in many ways, an extended meditative vigil...Activism, abdication, atonement, grace: In this novel no one of these paths is holier than another; Wood is more invested in noticing the human pursuit of holiness itself.”—New York Times

"This meditative (but by no means uneventful) account includes a mouse infestation, a celebrity nun, a pair of complicated homecomings and countless reminders that the sacred and the profane not only coexist but complement one another."—New York Times

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