The Hunter
A Novel
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The Hunter
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ナレーター：
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Roger Clark
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著者：
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Tana French
このコンテンツについて
A New York Times Bestseller • A New York Times Notable Book of 2024 • A New York Times Best Crime Novel of 2024 • A Washington Post Best Thriller of 2024 • An NPR Best Book of 2024 • A Parade Best Book of 2024 So Far
“Extraordinary.”—Maureen Corrigan, The Washington Post
“Hailed as the queen of Irish crime fiction, French spins a taut tale of retribution, sacrifice, and family.”—TIME
From the New York Times bestselling author of The Searcher and “one of the greatest crime novelists writing today” (Vox), a spellbinding new novel set in the Irish countryside.
It’s a blazing summer when two men arrive in a small village in the West of Ireland. One of them is coming home. Both of them are coming to get rich. One of them is coming to die.
Cal Hooper took early retirement from Chicago PD and moved to rural Ireland looking for peace. He’s found it, more or less: he’s built a relationship with a local woman, Lena, and he’s gradually turning Trey Reddy from a half-feral teenager into a good kid going good places. But then Trey’s long-absent father reappears, bringing along an English millionaire and a scheme to find gold in the townland, and suddenly everything the three of them have been building is under threat. Cal and Lena are both ready to do whatever it takes to protect Trey, but Trey doesn’t want protecting. What she wants is revenge.
From the writer who is “in a class by herself,” (The New York Times), a nuanced, atmospheric tale that explores what we’ll do for our loved ones, what we’ll do for revenge, and what we sacrifice when the two collide.
©2024 Tana French (P)2024 Penguin Audio批評家のレビュー
“Hailed as the queen of Irish crime fiction, French spins a taut tale of retribution, sacrifice, and family.”—Time
“A singularly tense and moody thriller . . . Exceptional . . . By now, any reader who still thinks French should follow the rules doesn't deserve her remarkable novels.”—The Washington Post
“The secretive village is a trope as old as mysteries—as old as humanity itself. But French does more than show the banal evil behind a smiling face. She makes it particular as a kicked dog's limp and dying embers in a steel barrel—and reminds us that we underestimate such places at our peril.”—The New York Times