『The Last White Man』のカバーアート

The Last White Man

A Novel

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The Last White Man

著者: Mohsin Hamid
ナレーター: Mohsin Hamid
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A NEW YORKER “ESSENTIAL READ”

A NEW YORK TIMES BESTSELLER

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER, VOGUE, AND NPR

“Perhaps Hamid’s most remarkable work yet … an extraordinary vision of human possibility.”–Ayad Akhtar, author of Homeland Elegies

“Searing, exhilarating … reimagines Kafka’s iconic The Metamorphosis for our racially charged era.” Hamilton Cain, Oprah Daily

From the New York Times-bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change.

One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them. Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth—an opportunity to see ourselves, face to face, anew.

In Mohsin Hamid’s “lyrical and urgent” prose (O Magazine), The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.

©2022 Mohsin Hamid (P)2022 Penguin Audio
世界文学 政治 文芸小説 歴史小説

批評家のレビュー

2022, Aspen Words Literary Prize: Long-listed

“Fantastical treatments of race have long served to underscore just how absurd it is that this social construct should wield so much power. Hamid’s novel follows in this legacy, challenging readers to consider the ways in which something as superficial as the color of one’s skin holds sway in their lives.”—TIME

“A moral fable for our entire harrowing world. . . . exquisitely evoked by Hamid in a mesmerizing, serpentine style. . . .The Last White Man offers its own small ray of light.”—Los Angeles Times

“A fantastical exploration of race and privilege. . . . In an age aflame with strident tweets, Hamid offers swelling remorse and expansive empathy. Such a story could only be written by an author who is entirely candid about his awkward journey along the racial spectrum. . . . It anticipates that sweet day—not forever deferred, surely—when we finally close the casket on the whole horrific construct of racial hierarchies and see each other for what we are.”—The Washington Post

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