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The Netanyahus
- An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family
- ナレーター： Joshua Cohen, David Duchovny, Ethan Herschenfeld
- 再生時間： 8 時間 31 分
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The Netanyahus
あらすじ・解説
2022 Pulitzer Prize winner for Fiction and named one of the notable books of 2021 by The New York Times
Corbin College, not quite upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers. The New York Times described it as “absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever.”
Read by the author with David Duchovny and Ethan Herschenfeld lending their vocal talents to the audiobook.
批評家のレビュー
"Absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever." (Taffy Brodesser-Akner, The New York Times Book Review)
“No one writing in English today is more gifted than Joshua Cohen. Every page of The Netanyahus—an historical account of a man left out of history, a wickedly funny fable of the return of the repressed—crackles with Cohen’s high style and joyride intelligence.” (Nicole Krauss)
“The Netanyahus is constructed with a brilliant comic grace that moves from the sly to the exuberant. Some scenes are funny beyond belief. But even when moments in the book are sharp or melancholy, they keep an undertone of witty and ironic observation. The vision in this book is deeply original, making clear what a superb writer Joshua Cohen is.” (Colm Tóibín)