『The Plateau』のカバーアート

The Plateau

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The Plateau

著者: Maggie Paxson
ナレーター: Maggie Paxson
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このコンテンツについて

During World War II, French villagers offered safe harbor to countless strangers - mostly children - as they fled for their lives. The same place offers refuge to migrants today. Why?

In a remote pocket of Nazi-held France, ordinary people risked their lives to rescue many hundreds of strangers, mostly Jewish children. Was this a fluke of history, or something more? Anthropologist Maggie Paxson, certainties shaken by years of studying strife, arrives on the Plateau to explore this phenomenon: What are the traits that make a group choose selflessness?

In this beautiful, wind-blown place, Paxson discovers a tradition of offering refuge that dates back centuries. But it is the story of a distant relative that provides the beacon for which she has been searching. Restless and idealistic, Daniel Trocmé had found a life of meaning and purpose - or it found him - sheltering a group of children on the Plateau, until the Holocaust came for him, too. Paxson's journey into past and present turns up new answers, new questions, and a renewed faith in the possibilities for us all, in an age when global conflict has set millions adrift. Riveting, multilayered, and intensely personal, The Plateau is a deeply inspiring journey into the central conundrum of our time.

Cover photograph: (Detail of Jewish youth) United States Holocaust Memorial Museum, courtesy of Jack Lewin
Illustration based on portrait of Daniel Trocmé from United States Holocaust Memorial Museum, courtesy of Robert Trocme

©2019 Maggie Paxson (P)2019 Penguin Audio
20世紀 ヨーロッパ 人類学 政治学 特定の人口統計学 社会 第二次世界大戦

批評家のレビュー

“Inspiring, riveting, and brilliantly researched and written, this is a book for our time by an author who has found her calling and risen with literary grace to a powerful challenge.” (Booklist, starred)

“Lyrical, complex, [and] genre-melding...History, memoir, profound soul-searching about peace, and meditations on the moral limitations of observation (rather than action) are woven together with dreamlike sequences imagining the lives of victims whose fates aren’t on historical record. The beautifully written, often heartrending narrative is as unforgettable as the region and individuals it brings to life.” (Publisher's Weekly, starred)

“Multilayered, intimate...Paxson is meticulous in her attention to...the way people live, their language, the choices people make in times of violence.... An elegant, intensive study that grapples with an enormous idea: how to be good.” (Kirkus Reviews, starred)

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