The Study of Human Life
Penguin Poets
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The Study of Human Life
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ナレーター：
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Joshua Bennett
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著者：
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Joshua Bennett
このコンテンツについて
Winner of the Paterson Poetry Prize, and longlisted for the Griffin Prize and the Massachusetts Book Award
An acclaimed poet further extends his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthood
Featuring the novella “The Book of Mycah,” soon to be adapted by Lena Waithe’s Hillman Grad Productions & Warner Bros. TV
Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, “The Book of Mycah,” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.
批評家のレビュー
“A tender celebration of vulnerability and the strength that blooms quietly in its presence.”—The Atlantic, “Ten Poetry Collections to Read Again and Again”
“With a singularly expansive and compassionate view of history, Bennett sweeps across generations of joy, suffering, and connection.”—Lit Hub
“A unique and nuanced window into the effects of generational trauma and state-sanctioned violence, as well as powerful insistence that trauma cannot and will not be the defining characteristic of future generations . . . The Study of Human Life is every bit as layered and complex as readers might expect from Bennett, who has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world.”—The Poetry Question