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The Weekend

著者: Charlotte Wood
ナレーター: Pauline Constantine
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あらすじ・解説

Number-One International Best Seller

Shortlisted for the 2020 Australian Prime Minister's Literary Award

Shortlisted for the Stella Prize 2020

Longlisted for the 2020 Miles Franklin Award

The Big Chill with a dash of Big Little Lies ... Knife-sharp and deeply alive.” —(The Guardian)

“An insightful, poignant, and fiercely honest novel about female friendship and female aging.” (Sigrid Nunez, National Book Award-winning author of The Friend)

“Friendship, ambition, love, sexual politics and death: it’s all here in one sharp, funny, heartbreaking, and gorgeously written package. I loved it.” (Paula Hawkins, author of The Girl on the Train)

Three women in their 70s reunite for one last life-changing weekend in the beach house of their late friend.

Four older women have a lifelong friendship of the best kind: loving, practical, frank, and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three.

They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they’ve remained close all these years, the grieving women gather at Sylvie’s old beach house - not for festivities this time, but to clean it out before it is sold. Can they survive together without her?

Without Sylvie to maintain the group’s delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests, and too much wine collide in a storm that brings long-buried hurts to the surface - and threatens to sweep away their friendship for good.

The Weekend explores growing old and growing up, and what happens when we’re forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

©2020 Charlotte Wood (P)2020 Penguin Audio

批評家のレビュー

“A lovely, insightful exploration of aging, regrets and rebirth.” —People

“Wood has several surprises up her sleeve; her characters have loved often, lived large and taken plenty of risks, which makes for quick, Liane Moriarty-esque reading. She also has an eye for the little moments that link us, sometimes past the point of reason, to people whose histories we share.” —The New York Times

“If you’ve ever thought to yourself, I wish there were a beach read kind of like the movie Book Club, but more emotionally complex—look no further.” —Entertainment Weekly

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