『Verge』のカバーアート

Verge

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Verge

著者: Lidia Yuknavitch
ナレーター: MacLeod Andrews, Sophie Amoss, Michael Crouch, Renata Friedman, Ilyana Kadushin, Dani Martineck, Brittany Pressley
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Longlisted for the Story Prize

Named one of the Best Books of the Year by Bustle and Lit Hub

A fiercely empathetic group portrait of the marginalized and outcast in moments of crisis, from one of the most galvanizing voices in American fiction.

Lidia Yuknavitch is a writer of rare insight into the jagged boundaries between pain and survival. Her characters are scarred by the unchecked hungers of others and themselves, yet determined to find salvation within lives that can feel beyond their control. In novels such as The Small Backs of Children and The Book of Joan, she has captivated audiences with stories of visceral power. Now, in Verge, she offers a shard-sharp mosaic portrait of human resilience on the margins.

The landscape of Verge is peopled with characters who are innocent and imperfect, wise and endangered: an eight-year-old black-market medical courier, a restless lover haunted by memories of his mother, a teenage girl gazing out her attic window at a nearby prison, all of them wounded but grasping toward transcendence. Clear-eyed yet inspiring, Verge challenges us with moments of uncomfortable truth, even as it urges us to place our faith not in the flimsy guardrails of society but in the memories held—and told—by our own individual bodies.

©2020 Lidia Yuknavitch (P)2020 Penguin Audio
女性文学 文芸小説 短編小説

批評家のレビュー

“The powers of her prose [are] on full, incandescent display. . . . The damaged beauty of these misfits keeps the reader leaning in.”—Nicholas Mancusi, TIME

“Children harvest organs, janitors build magical worlds, and mourning lovers drive to destinations unknown in this searing, precise collection of short stories.”Vogue

“At several points while reading Verge, I found myself curled into a ball, my fingers gripping the pages so tightly they almost tore the paper. It was as if the words had crawled off the page and under my skin.”—Cornelia Channing, The Paris Review

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