• 12: Audition - Lady Roulette

  • 2021/12/13
  • 再生時間: 1 時間 28 分
  • ポッドキャスト

12: Audition - Lady Roulette

  • サマリー

  • This week Kris and Donna pop open the Pandora's box of Takashi Miike's ouevre with "Audition" (1999), a Japanese horror film about a widower seeking a new wife by way of a fake movie audition.

    CONTENT WARNINGS: Parent/Spouse Death, Sexual Exploitation, Misogyny, Kidnapping, Forced Drugging, Forced Captivity, Torture, Dismemberment, Vomit, Emetophilia, Needles, Eye Trauma, Neck Trauma, Child Abuse, The Dog Dies

    Got questions, comments, stories, or movie suggestions? Hit us with them at info@shtlstpod.com! Don’t forget to follow us on Twitter and Instagram @shtlstpod for all your gross movie updates!

    SHOW NOTES:

    Watch “Audition”: Prime, Tubi, Apple TV

    “Audition,” IMDb.

    “Audition (1999 film),” Wikipedia.

    “Takashi Miike,” Wikipedia.

    “TAKASHI THE KILLER: AN INTERVIEW WITH JAPAN'S LEADING CULT DIRECTOR TAKASHI MIIKE,” Xavier Mendik, Kamera.co.uk, 2002.

    “Japan Isn’t Ready for a #MeToo Moment,” Rob Fahey, Tokyo Review, May 24 2018.

    続きを読む 一部表示

あらすじ・解説

This week Kris and Donna pop open the Pandora's box of Takashi Miike's ouevre with "Audition" (1999), a Japanese horror film about a widower seeking a new wife by way of a fake movie audition.

CONTENT WARNINGS: Parent/Spouse Death, Sexual Exploitation, Misogyny, Kidnapping, Forced Drugging, Forced Captivity, Torture, Dismemberment, Vomit, Emetophilia, Needles, Eye Trauma, Neck Trauma, Child Abuse, The Dog Dies

Got questions, comments, stories, or movie suggestions? Hit us with them at info@shtlstpod.com! Don’t forget to follow us on Twitter and Instagram @shtlstpod for all your gross movie updates!

SHOW NOTES:

Watch “Audition”: Prime, Tubi, Apple TV

“Audition,” IMDb.

“Audition (1999 film),” Wikipedia.

“Takashi Miike,” Wikipedia.

“TAKASHI THE KILLER: AN INTERVIEW WITH JAPAN'S LEADING CULT DIRECTOR TAKASHI MIIKE,” Xavier Mendik, Kamera.co.uk, 2002.

“Japan Isn’t Ready for a #MeToo Moment,” Rob Fahey, Tokyo Review, May 24 2018.

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