Anne Kim has it all. She’s a high-powered tax lawyer, lives in a beautiful apartment in New York and has the perfect boyfriend to boot. She’s the pride of her parents, Korean immigrants in small-town Alberta who worked day and night to keep the family afloat. But Jane Park’s debut novel, Inheritance, is all about the hidden costs of Anne’s immigrant success story — the hurt, trauma and stifling expectations that tore her family apart. When her father’s death sends her back to Alberta, Anne is forced to confront the reality of her upbringing and the truths behind a violent act that changed her family forever. This week, Jane tells Mattea Roach about the nuances of Korean resilience, how her own experiences factor into the book and what it’s like to be an Asian woman today.

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• Where do North Korean spies go for dinner?
• Emma Knight: 'Bad' mothers make good stories — and are more true-to-life

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A famous crime writer who gets her inspiration from years of working on real cases at the medical examiner’s office. That’s the story of Patricia Cornwell, the bestselling author of the Kay Scarpetta series. Her new memoir, True Crime, is all about the person behind the thrillers … and it proves that sometimes, life is stranger than fiction. From getting dropped off at the doorstep of one of America’s most famous evangelicals to her real forensics experience, Patricia’s memoir is an autopsy of her life and the obstacles she overcame to become a world-renowned author. This week, Patricia tells Mattea Roach about her tumultuous childhood, her path to writing and why she injects hope into her crime novels.

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• Meth and murder in rural America

• Getting to know Canada’s king of suspense

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The winner of the 2026 CBC Short Story Prize is the Vancouver-based writer Larah Luna. Larah’s story, A Season of Crows, is about a small town learning to live with a huge murder of crows that passes through the town. Born in the Philippines and raised in Manitoba, Larah grew up surrounded by prairie landscapes that shaped the emotional setting of her story. A Season of Crows explores the wonder of the natural world and accepting the unknown … but it’s also based on Larah’s own experiences with grief and loss, and how the environment can hold the emotions that we struggle to convey.

You can read Larah’s story here.

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• Meet the winner of the 2025 CBC Short Story Prize
• What does dystopia look like in the suburbs?

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Books can be revolutionary. That’s the message of Azar Nafisi’s celebrated memoir Reading Lolita in Tehran, which is about her experience teaching forbidden literature to young women in Iran. Although it was published nearly 23 years ago, Azar’s memoir continues to speak to issues around censorship, authoritarianism and resilience in Iran and across the world. Her 2022 book Read Dangerously follows that thread, exploring how books are a tool for resistance and change in a time when people have forgotten how to speak to one another. Azar joined Mattea Roach for a special on-stage event at the Blue Metropolis International Literary Festival in Montreal, where they discussed Azar’s incredible family history, the uniting power of literature and what freedom means to her.

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• Rage and love at the end of apartheid
• This poem took 16 straight hours to write

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Charity organizations are all about doing good. What could possibly go wrong? Sharon Bala’s new novel, Good Guys, is all about how philanthropy operates in a world that runs on money. The book stars a fictional charity called Children of the World. It’s an international aid organization founded by a former rock star with some questionable motives. Moving between its headquarters in Toronto and its compound in Central America, the story follows the rise and fall of the charity and the characters’ complicated attempts at redemption. This week, Sharon tells Mattea about the dark side of NGOs, the connection between charity and faith and the complex desire to be a good person.

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• A fictional ad agency — and its very real ghosts
• Yes, tuberculosis is still a thing — John Green tells us why

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If it feels like the years are going by faster and faster … you’re not the only one. Grant Ginder’s new novel, So Old, So Young, follows a group of college friends across 20 years. The story is told through five major parties that bring the group together as their lives change and criss-cross in unexpected ways. From housewarmings to weddings to birthdays, this book explores how our connections evolve and break … and it’s a profound look at how friendships grow with us. This week, Grant joins Mattea Roach to talk about writing a “coming of middle-age” novel, having grace for old friends and why friendships can be trickier than romance.

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• Reliving the soundtrack of the 2000s
• 1 marriage, 2 mid-life crises … and a guy named Gluten

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Yann Martel didn’t think anybody would read Life of Pi when he first published it. 25 years later, his story of a teenage boy and a tiger adrift in the ocean still captivates readers, and Yann says his books are like his children — he loves them all equally. Yann’s new novel is called Son of Nobody. In the book, a Canadian scholar’s life changes when an Iliad-like epic poem is newly discovered. When he travels across the world to study it, he uncovers threads that are far more personal than expected. Son of Nobody is an exploration of identity, myth and class, and it’s a fresh take on a piece of literary history. This week Yann joins Mattea Roach to reflect on his past work, his interest in mythology and why humans should create, no matter what.

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When Mai Nguyen lost her daughter just days after she was born, writing about a similar character in a novel brought her comfort. Her new book, Cleo Dang Would Rather Be Dead, is a heartbreaking but humorous novel about a grieving mother who starts working at a funeral home. Cleo Dang’s world is shattered when she loses her newborn due to complications during labour. Drowning in grief and the discomfort of friends and family, she takes a job at a funeral home and comes to learn intimately about her own loss and what grief means for others. It’s a deeply personal story based on Mai’s own experiences, and despite the subject, she tells the story with levity and hope. This week, Mai tells Mattea Roach about her own grief journey, balancing sorrow and laughter and why she was wrong about funeral home employees.

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• Sarah Leavitt: Illustrating grief too wide for words
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