Community Portraits is a series of some 40 portraits of people from all walks of life that are part of Geleynse’s walk of life in the London area. The first of the portraits is now on display at Milos Craft Beer Emporium. It’s not really a show of all his portraits hanging at the same time in a gallery, in other words. His plan is to change the portraits on display every month at Milos’ until January, when the display moves to The Arts Project, which is just around the corner from Milo’s, where more of the series will hang with monthly swap-ins until the end May, 2025.
I sat down at a table in Milo’s fine establishment with Wyn for a beer and to discuss the origins of this series of portraits, why he chose some of the people he did as his subjects, and more. It’s an enjoyable informative listen.

Terry Graff, a Galt (Cambridge) native and longtime London-based visual artist, sits down with me to discuss his arts background, his relationship to nature and technology, ambitious sculptural works and paintings, and so much more. Join us as he shares various experiences that span his decades long art practice. You can find Terry’s work at terrygraff.com, and Andrés work at andresgarzon.ca, or @studioandresgarzon. Music provided by Artificial.Music.

While artists and art galleries often garner the majority of public attention and acclaim, there are pivotal figures operating behind the scenes who play a crucial role in shaping the landscape of visual arts in a city or region. One such individual is Madeline Lennon. Her enduring passion for visual arts has had a profound and lasting impact on the art scene in London. Her influence, though subtle, is deeply and widely felt and passionately expressed.

Brian Meehan, the former Executive Director of Museum London, had the opportunity to interview Madeline Lennon, a retired professor from Western University, a noted author, and a champion of regional visual arts. Their discussion delved into the breadth and depth of Madeline's work, examining her contributions at an organizational level and in her interactions with the artists themselves. Their conversation offers valuable insights into the tireless efforts of Madeline's work behind the scenes to bring visual arts to life and to the place that she calls home.