The siren sounds everyday, randomly. Sometimes twice or three times. The birds are anxious.

Recorded in Patton, Pennsylvania, USA by Xanthra DuFrane.

Recorded early in the morning in a green area on the outskirts of Chișinău, this piece listens to the softer edge of the city.

Birds fill the space, with only a distant sense of the urban world behind them. It shows another side of the capital: quieter, greener, more open. The recording feels like a pause from the streets, where nature comes forward and the city almost disappears into the background.

Recorded in Chisinau, Moldova by Rafael Diogo.

The original recording conjures a restful yet lively ambience that brings to life what early morning in this part of Chisinau must feel like.

As the recordist Rafa notes, there is 'a distant sense of the urban world behind them' in the original recording, which in this composition is brought to the forefront not to clash with the birdsong, but to complement it.

The response is flavoured with multiple layers of vintage 70s and 80s-inspired synthesiser sounds to build a soundtrack to early morning. The different layers and cadences of synth parts represent the different roles played by diverse bird species in creating this early morning soundscape, as well as harmonising the elements of nature and the city, instead of placing them in opposition.

Chisinau morning bird chorus reimagined by Cities and Memory.

"I retained, without adjustment, the field-recording of chanting on a football terrace. My initial sense was of masculine celebration, the chants serving as a barometer for pride and rivalry. However, with the rhythmic fluctuations, my layered loops and snatches of dialogue shifted the celebratory mood. Repetitive, loopable refrains began to drone and persist with what I perceived as a tense 'possibility of emotional volatility', creating an unpredictable subversion."

Horsham FC football chants reimagined by Rachael Adams.

This piece was inspired by a recording of a klaxon in Patton, PA that seemed to warn of nothing on a spring morning but the arrival of migrant birds.

Patton klaxon sound reimagined by Xanthra DuFrane.

The Lardy Boys, also known as the Lardy Army, is the name of the supporters at Horsham FC. This is a sample of them singing on a match day.

Recorded by Pauline Howley.

"I found the idea of candy cutting and the cheerful voices on the original recording very reminiscent of a childhood memory. The fact that I cannot understand the Japanese being spoken makes it further seem like a hazy memory.

"I wanted to retain the cheerful, nostalgic tone that I perceived while adding a melodic component on top of the rhythm created naturally by the candy cutting."

Candy cutting in Kawasaki reimagined by David Jolly.

On the street leading to Kawasaki Daishi, the sharp, percussive sound of hand‑cut sugar candy forms a steady rhythm.

Shopkeepers’ voices enter from both sides, calling out “Welcome” and offering tastes of candy just cut moments before.

Recorded in Kawasaki, Japan by Miduno.