In this episode of "Complete Disarray With Jamie Ray,” we welcome David Morris from Double Windsor Knot Photography for an in-depth exploration of the cult classic sci-fi series "Fringe." Morris, known for his keen visual analysis and pop culture insights, joins via Zoom to unpack the show's intricate narrative, groundbreaking scientific concepts, and lasting impact on television storytelling.The conversation promises to delve into the series' unique blend of episodic mysteries and overarching mythology, exploring how "Fringe" challenged traditional science fiction storytelling. Morris will likely discuss the show's innovative approach to parallel universes, fringe science, and the compelling character dynamics between Walter Bishop, Peter Bishop, and Olivia Dunham. Listeners can expect a comprehensive discussion that spans the show's five-season run, examining its narrative complexity, visual storytelling, and the ways it pushed the boundaries of network television science fiction. Morris's background in photography may provide unique insights into the show's visual aesthetics and cinematographic techniques. Jamie Ray and David Morris will explore how "Fringe" balanced procedural elements with a deeply emotional and complex serialized story, making it a standout series in the late 2000s and early 2010s television landscape.#fringeseries #oliviadunham #fringetvshow #fringe #peterbishop #joshuajackson #annatorv #fringeonfox #fringeturkey #fringedivision #fringetv #walterbishop #johnnoble #fringefan #fringeedit #yabancidiziler #bilimkurgufilmleri #yabanc #dizireplikleri #astridfarnsworth #lincolnlee #ninasharp #henriettabishop #williambell #charliefrancis #lledesfbi #gene #davidrobertjones #like #johnscott

Nelson G from “Average Home Theater Reviews” & I are joining forces to discuss our favorite episodes from each season & both movies. In our third episode, we'll discuss 6 episodes from Season 3.

Ep1 "Loved to Death" from Tales from the Crypt #25. Directed by Tom Mankiewicz. Written by Joe Minion and John Mankiewicz. Originally aired on June 15, 1991.

Ep2 "Carrion Death" from Shock Suspense Stories #9. Written & directed by Steven E. de Souza. Originally aired on June 15, 1991.

Ep3 "The Trap" from Shock Suspense Stories #18. Directed by Michael J. Fox. Written by Scott Alexander. Originally aired on June 15, 1991.

Lou Paloma (Bruce McGill), an obnoxious, egotistical, mean-spirited deadbeat who cannot hold down a job, is horribly in debt, and is both unfaithful and abusive (verbally and physically) to his wife, Irene (Teri Garr) ropes her and his brother, Billy (Bruno Kirby), into a plan to fake his own death, collect his life insurance money, and escape to a new life in Rio de Janeiro. Unfortunately, Lou is unaware that both his long-suffering wife and brother, who have developed an attraction to one another, are planning to double-cross him.

Ep4 "Abra Cadaver" from Tales from the Crypt #37 (as "Dead Right!"). Directed by Stephen Hopkins. Written by Jim Birge. Originally aired on June 19, 1991.

Years ago, Carl Fairbanks (Tony Goldwyn) and his brother Martin (Beau Bridges) were medical students. Carl played a prank on Martin which unexpectedly gave him a stroke and paralyzed one of his hands. In the present day, Carl becomes a successful surgeon whereas Martin's paralysis limits him to a medical research job. Martin gets his revenge by injecting Carl with an experimental serum that stops Carl's heart but keeps his brain alive, essentially trapping Carl in his own body.

Ep7 "The Reluctant Vampire" from The Vault of Horror #20. Directed by Elliot Silverstein. Written by Terry Black. Originally aired on July 10, 1991.

Donald Longtooth (Malcolm McDowell) is a vampire with a conscience. He eschews the tradition of killing mortals, instead satiating his need for blood by working as the night watchman at a blood bank. When Donald overindulges on the blood supply, the blood bank's owner, Mr. Crosswhite (George Wendt), realizes that his business is literally being sucked dry and threatens his employees with mass layoffs to avoid bankruptcy. Seeing that he must return to his old ways to replete his "embezzlement", Donald tries to solve his quandary by attacking dangerous criminals, all whilst struggling with the romantic advances of the blood bank's secretary (Sandra Dickinson), an investigative police detective (Paul Gleason), and vampire hunter Rupert Van Helsing (Michael Berryman).

Ep13 "Spoiled" from The Haunt of Fear #26. Directed by Andy Wolk. Written by Connie Johnson & Doug Ronning. Originally aired on August 21, 1991.

In a meta-layered spoof of daytime soap operas, Janet (Faye Grant), a housewife who is obsessed with the soap opera There's Always Tomorrow and watches the program religiously, is annoyed that her doctor husband, Leon (Alan Rachins), is more obsessed with experimenting on a rabbit than spending time with her. When her TV loses picture at a crucial moment in the show, Janet calls in a cable man named Abel (Anthony LaPaglia), to have cable installed. Inspired by There's Always Tomorrow's no-nonsense main character, Fuschia Monroe (Anita Morris), Janet begins a steamy affair with Abel while Leon is distracted with his work. When Leon catches the two of them in the act, he soon wonders if he could try his experiment on human subjects.

Check out Nelson's YouTube Channel at https://youtu.be/gyd0D5sCPYU?si=_jRO4WpXDUC8i01D

Support this podcast at https://podcasters.spotify.com/pod/show/fave-five-from-fans/support

Welcome back to Complete Disarray, where we dive deep into the most random topics. I'm your host Jamie Ray, and today I'm joined by the incomparable Super Gus to unpack one of the most haunting space odysseys ever put to film - the Swedish Danish masterpiece "Aniara."

Imagine boarding a luxury spaceship for what should be a routine three-week journey to Mars, only to find yourself set adrift in the cosmic void with no way home. That's just the beginning of this remarkable meditation on humanity's relationship with Earth, technology, and our own mortality. Released in 2018, "Aniara" takes us on a journey that spans decades, following a "Mimarobe" - an operator of an AI system designed to comfort passengers with memories of Earth - as hope gradually unravels aboard a ship that becomes both sanctuary and tomb.

Today, Super Gus and I will explore how this film transforms a simple evacuation narrative into an unflinching examination of human nature when faced with the prospect of eternal drift. We'll dive into its themes of environmental collapse, artificial consciousness, and the various ways humans cope with existential dread - from fertility cults to virtual reality escapism.

So, strap in for a conversation that's equal parts philosophical journey and psychological horror as we chart the course of humanity's last voyage among the stars. The Aniara awaits.

*WARNING* This movie contains scenes of sex, suicide, and violence.