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  • Ep 79: Matt Bowen (The Binge, The Boys, Gen V)
    2024/08/02

    Our next guest is an ASCAP award-winning composer who has written music for The Boys, Gen V, The Bachelor and It's A Wonderful Binge among other projects. He got his start working for producer Matt Wallace before pivoting to Emoto Music and then meeting composer Christopher Lennertz who has been a mentor and later co-composer on a number of projects.

    And the composer is... Matt Bowen


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    45 分
  • Ep 78: Daniel Pemberton (Fly Me To The Moon, The Bad Guys, Across The Spider-Verse)
    2024/07/27

    Our next guest started his career writing for the video game magazine Games Zone to afford his first synthesizer. From there, he has scored films from Ocean’s 8, Steve Jobs, The Man from U.N.C.L.E and Ferrari to Spider-Man Into The Spider-Verse and Across The Spider-Verse. He recently scored Fly Me To The Moon and I am so excited to chat with my musical hero today.


    And the composer is… Daniel Pemberton


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    26 分
  • Ep 77: Nikhil Koparkar (Dead Whisper)
    2024/07/03

    Our next composer is a recent friend and amazing composer who is behind the music of the 2023 Riot Games’ League Of Legends - Lunar New Year Campaign. He has worked as an additional writer for composer Lorne Balfe on projects including The Wheel Of Time, Life On Our Planet, His Dark Materials, and Victoria's Secret: Angels & Demons among others. He is the composer of the psychological horror feature film Dead Whisper and I am so excited to welcome him on to the podcast.


    And the Composer is…Nikhil Koparkar


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    28 分
  • Ep 76: Dominic Lewis (The Fall Guy, Bullet Train)
    2024/05/10

    Our next guest was born and raised in London England, where he studied at the Royal Academy of Music and was mentored by the iconic Rupert-Gregson Williams. In 2009 he moved to Los Angeles to join Hans Zimmer’s Remote Control Productions, where he worked on the music departments of various major studio films, before transitioning to solo work.

    Since then he has made a name for himself composing projects such as the Amazon series Man In The High Castle, the Disney+ Monsters Inc. franchise series Monsters At Work, and Sony Pictures films Peter Rabbit (2018), Peter Rabbit 2: The Runaway (2021), and Bullet Train (2022).

    Most recently he completed the score Universal Pictures Film The Fall Guy starring Ryan Gosling and Emily Blunt. I'm incredibly excited to chat with him on this episode!

    And the composer is… Dominic Lewis


    This episode was produced by Morgan Craig


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    32 分
  • Ep 75: Jay Wadley (Franklin, Swan Song)
    2024/04/11

    Our next guest is the co-founder of NYC-Based Found Objects and the composer behind such films as I’m Thinking Of Ending Things and Swan Song.

    He’s the composer of Apple TV’s Franklin starring Michael Douglas and I’m so excited to chat with him today.

    And the composer is… Jay Wadley


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    44 分
  • Ep 69: Carter Armstrong (Strong Music)
    2023/10/21
    Our next guest is one of the most lovely music creatives on this planet. He has worked as the SVP of Peer Music, Head of Music at Lionsgate and SVP of music at Warner Bros and has helped shape the musical landscape of films ranging from La La Land and the Hangover series, to Godzilla, Divergent, and Edge of Tomorrow. He also owns and runs Strong Music. The music creative is... Carter Armstrong--- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

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    32 分
  • Ep 61: Sandro Morales-Santoro (The Secret History of Venom, Explant)
    2021/08/28

    Our next guest is an award-winning Venezuelan composer based in Los Angeles, CA who specializes in film, TV, Interactive, and New Media music.

    His sensibility as a composer is evidenced in his lush orchestral scores, always infused with hints of his diverse upbringing and culture. His eclectic style is the consequence of his development as a musician, going from pop and rock bands, to a classical music education, to jazz and electronic influences from his studies in the US.

    ​He recently scored the film “The Secret History of Venom” for Marvel Animation, and has written for many feature films including the Venezuelan box office hit “Papita Segunda Base” and the Daytime Emmy Award winning Documentary “Out of Iraq”. His music can be heard on the feature documentary “History of the Emirates”, and on hit TV shows like Netflix’s “Outer Banks” and “What/If”, AMC’s “Dietland”, Bravo’s “Girlfriend’s Guide To Divorce”, Freeform’s “Good Trouble” and HBO’s “Adventure Time: Obsidian”. Other recent projects include the feature films “Christmas Comes Home”, “Farm to Fork to Love” and “Stranger In The Attic”, as well as the Venezuelan film “Plástico”.

    The composer is... Sandro Morales-Santoro

    --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

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    38 分
  • Ep 60: Brittany Dunton (A Cinderella Story: Starstruck)
    2021/07/25

    Our next guest is a media composer, pianist, music educator, and music theorist. Studying under composer Dr. Scott Meister and pianist Dr. Bair Shagdaron, she earned her bachelor’s degree in Music Theory/Composition from Appalachian State University in 2012. Immediately following, she enrolled at Columbia College Chicago’s Master of Fine Arts program “Scoring for the Screen”. She was a Follett Scholar (Columbia’s highest honor) and studied under composers Gary Chang, David McHugh, and Andrew Edwards. To conclude her time at Columbia, she recorded four works Capitol Records and earned her degree in May 2014.

    Following her time at Columbia, she began an internship with film composer Mark Isham then interned at Kraft-Engel Management. She met composer Jake Monaco while there and assisted him for a number of years before "graduating" onto writing additional music for projects including Dumplin' and Human Discoveries. She has recently co-composed the score for A Cinderella Story: Starstruck with Jake and I'm so excited to talk with her about it!

    The composer is... Brittany Dunton

    --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

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    27 分