Today’s date marks the 1925 premiere in New York City of a classic operetta The Vagabond King by Rudolf Friml, the source of many once-popular sentimental tunes, including “Love Me Tonight,” and “Only a Rose.”

Friml was born in Prague in 1879, and he studied composition there with no less a master than Antonín Dvořák. He started his career as a piano accompanist to the famous Czech violinist Jan Kubelik, then emigrated to the U.S. in 1906. In 1907, he appeared as a soloist in his own Piano Concerto No. 1 with the New York Symphony, and decided to make America his home.

Friml wrote two piano concertos, a symphony, solo piano pieces — and three film scores for Hollywood. But he’s remembered today chiefly for 24 stage works, beginning in 1912 with The Firefire, his first big musical success, and continuing with many others, including the 1924 operetta Rose Marie — which in 1936 was made into a successful film starring Jeanette MacDonald and Nelson Eddy. Their rendition of Friml’s “Indian Love Call” has become a campy cult classic.

Even Friml was occasionally embarrassed by the success of some of his flufflier pop works, and would publish some of these under the pseudonym of Roderick Freeman. He died in Los Angeles in 1972 at 92.

Rudolf Friml (1879-1972): Song of the Vagabonds from The Vagabond King; Eastman-Dryden Orchestra: Donald Hunsberger, conductor; Arabesque 6562

Rudolf Friml (1879-1972): Chanson ‘In Love’; New London Orchestra; Ronald Corp, conductor; Hyperion 67067

Today’s date commemorates the death, in 1957, of the most famous Finnish composer of modern times, Jean Sibelius. Born in 1865, Sibelius studied at the University of Helsinki, developed a strong sense of nationalism in the 1890s, and achieved world fame in the first years of the 20th century. He wrote little after the World War I, however, and lived his last 30 years in almost complete seclusion.

Even so, he was one of the most popular composers of his time. In 1938, a recording of his tone-poem Finlandia was selected as one of only three pieces of music to be deposited along with other artifacts of modern civilization in an indestructible time capsule buried on the site of the New York World’s Fair.

By 1957, the enormous acclaim that Sibelius enjoyed during his lifetime had faded somewhat, but these days his reputation seems on the rise once again, as does the influence of Finnish music in general.

A remarkable number of talented composers are thriving in that tiny nation today, and operas, orchestral works and chamber pieces by contemporary Finnish composers like Aulis Sallinen, Einojuhanni Rautavaara, Magnus Lindberg and Kaija Saariaho are increasingly finding worldwide audiences.

Sibelius would have been very pleased.

Jean Sibelius (1865-1957): Alla Marcia from Karelia Suite; Finnish Radio Symphony; Jukka-Pekka Saraste, conductor; (RCA 7765)

On this day in 1918, Russian composer Serge Prokofiev arrived in America to give a recital of his piano works in New York. He told interviewers that despite the revolution in his homeland and widespread conditions of famine, Russian musicians continued to work.

Prokofiev, however, stayed away from his homeland for years. His opera The Love for Three Oranges and his Piano Concerto No. 3 received their premieres in Chicago in 1921. From 1922 to 1932, Prokofiev lived mainly in Paris before eventually returning home for good.

Another temporary expatriate composer, Jón Leifs of Iceland, has an anniversary today, when in 1950, his Saga-Symphony was performed for the first time in Helsinki. Leifs was born in Iceland in 1899 and died there in 1968. He studied in Leipzig, where, in his words, he (quote) “began searching whether, like other countries, Iceland had some material that could be used as a starting-point for new music … some spark that could light the fire.”

Leif’s years in Germany coincided with the rise of the Nazis, who at first found him a sympathetic Nordic composer. When Leifs married a Jewish woman, however, he soon fell out of favor and eventually fled to Sweden with his family. After the war he returned home and today is honored as Iceland’s first great composer.

Sergei Prokofiev (1891-1953): Piano Concerto No. 3; Martha Argerich, piano; Montréal Symphony; Charles Dutoit, conductor; EMI Classics 56654

Jón Leifs (1899-1968): Saga Symphony; Iceland Symphony; Osmo Vänskä, conductor; BIS 730

In 1962, American jazz composer, performer and bandleader Duke Ellington was 63 — an acknowledged master, but trends in American jazz were changing, and there were much younger figures emerging, with more challenging styles.

Take, for example, bassist Charles Mingus, Jr., a master of collective improvisation, and drummer Max Roach, a pioneer in the be-bop movement. Despite their age and stylistic differences, these three jazz titans went into a recording studio on today’s date in 1962 and, while tape rolled, using bare-bones charts provided by Ellington of melodies and harmonies, the three jazz titans improvised. The results were issued the following year as a classic LP, Money Jungle.

Despite his fame, Ellington did not have a recording contract in 1962, and, perhaps after decades experiencing the highs and lows of life as a Black jazz musician in a segregated society, Money Jungle reflects a certain bitterness. Along with the charts he gave Mingus and Roach, Ellington also provided poetic story lines for each track, like: “Crawling around on the streets are serpents who have their heads up; these are agents and people who have exploited artists. Play that along with the music.”

Duke Ellington (1899-1974), Charles Mingus (1922-1979) and Max Roach (1924-2007): Money Jungle; Blue Note 31461

British composer Sally Beamish was born in London and studied music there and in Germany, but more recently has come to be associated with both Scotland and Sweden due to successful composer residencies in those two countries.

Her saxophone concerto, The Imagined Sound of Sun on Stone, is a perfect example of this association. “The piece begins with a reference to a Swedish herding call, a special high-pitched song which carries over long distances… after this the music becomes more fragmentary, half-heard glimpses, as if the shaft of light has somehow released sounds stored in stone for millennia, layers of music long forgotten… drawing on psalms and chants from different tradition celebrating the enlightenment of [Pentecost],” she explained.

The work was a joint commission of the St. Magnus Festival which takes place at midsummer on the islands of Orkney off the north coast of mainland Scotland, a landscape of wind-swept cliffs, and the Swedish Chamber Orchestra. The premiere performance took place at the St. Magnus Festival in June of 1999, and on today’s date that same year, the concerto’s Swedish herding call was heard in that country at its Örebro premiere.

Sally Beamish (b. 1956): The Imagined Sound of Sun on Stone; John Harle, saxophone; Swedish Chamber Orchestra; Ola Rudner, conductor; BIS 1161

If you’ve ever witnessed a spectacular display of the Northern Lights, you’ll know the feeling: jaw-dropping wonder at the powerful forces unleashed in the vast spaces of the night sky.

American composer Henry Brant experienced something like that in St. Paul, Minnesota, in 1982 during a visit, and later translated the experience into his Northern Lights over the Twin Cities, a work commissioned by Macalester College in St. Paul to celebrate its 100th anniversary in 1985.

Like most of Brant’s works, this piece employs several distinct groups of performers separated by space, a technique called spatial composition. For his Macalester Centenary commission, he utilized all the musical ensembles the College had to offer, including its chorus and orchestra, its wind, marching and jazz bands, and even its bagpipe ensemble, all positioned at various points around the college’s cavernous field house.

Brant said his own spatial works were inspired by the antiphonal works of the Renaissance composer Giovanni Gabrieli, the multiple brass ensembles in the Requiem Mass by French Romantic composer Hector Berlioz, but above all by The Unanswered Question, by modern American composer Charles Ives.

Brant was born on today’s date in 1913. He was awarded the Pulitzer Prize for Music in 2002, and died at 94 in 2008.

Henry Brant (1913-2008): Northern Lights Over the Twin Cities; Combined musical forces of Macalester College; with six conductors, including Henry Brant; Innova CD 408