The multi-faceted and multi-talented Paul Carrack is synonymous with musical craftsmanship. Author and music journalist Eoghan Lyng taps into the appeal of Carrack and why his style and collaboration are coveted by artists as diverse as Eric Clapton, Roger Waters, Roxy Music, and The Eagles. We also discuss Carrack’s work with Mike + The Mechanics, his multiple (!) tenure with Squeeze, and how his trademark vocals and keyboard work on “Tempted” gave the band one of its most popular and recognizable hits. Lyng also chats about his interviews with Carrack and Glenn Tilbrook, both conducted for the online site Penny Black:

Glenn Tilbrook

Paul Carrack

George Harrison in the 70s: Decades

And now for something completely different… friend of the podcast Dan Rivkin waxes philosophically (and with great humor) on the myriad touchpoints that are reflected by Glenn and his hair. While not altogether serious, it’s a fascinating visual: whether as a teenager, in his 20s with Squeeze, as a solo artist roaming the world and into the 21st century, his altogether unique style and deportment when it concerns personal presentation - and this includes his fellow bandmates! - is one subject that Dan and myself felt needed at least, a podcast-length deep-dive discussion.

Squeeze "Cool For Cats", Live at The Depot, Salt Lake City, 10/7/2016

[At the 1:55 mark]

f you are a fan of Squeeze, you know how hard it is to resist their catchy tunes and witty lyrics. But even more importantly - as we’ve learned - is how their music can give meaning to touch points throughout your life.

Gary McKechnie is one of those people. And fortunate to have met Glenn Tilbrook in a hotel lobby in Daytona Beach, Florida. And also arranged Chris Difford’s “Songs In The Key Of Sea.” A rather eclectic summary for this man and for his ability to speak to the ones who ‘get it.’

Gary is also a speaker, award-winning author and motojournalist. And when he offered up the chance to join me in conversation about one of his favorite bands (and songwriters), how could I say no?

More importantly, Gary is passionate, articulate and with his storytelling prowess, a person who can get to the deep heart of this particular subject at hand.

I invite you in for that proverbial ‘Black Coffee’ as you come aboard for an enlightening ride.

http://www.garymckechnie.com/

Journalist, author and critic Annie Zaleski is as enjoyable as they come when the topic is Squeeze. As a polymath in the music community, she demonstrates an affinity for our subject matter: MTV, Music Television. Hopscotching from lip-synced videos to full-on concerts, we recall with humor the fond memories those times represented and the moonshot culture that propels Squeeze (along with Duran Duran) to actively participate in crafting a new frontier in today’s hard-to-categorize music community.

anniezaleski.com

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Among those who are true and dedicated fans of Squeeze, David is among the top. Fortunate enough to not only see Squeeze live these past few decades, David has also worked with the band in many capacities, helping to run the first fan club with Jools Holland's mother June right up to the present day with his all-inclusive blog 'Packet of Three,' Join us as we stroll down memory lane, going to record shops, rain-soaked gigs and inside the vaults for a few surprises.

David's blog:
https://packetofthree.com

David's radio show:
https://www.mixcloud.com/TheLyricShow/

The year 1989 saw the launch of 'Frank', which was an exciting prospect for Squeeze followers. At the time, it was meant to be the ultimate sequel to 'Babylon & On', and given its predecessor's success, 'Frank' was predisposed to be a hit. However, it did not live up to expectations, from the public or the record company. Nevertheless, both Adrian and I have an immense fondness for this record. Actually... we’re kind of passionate about this album, believing it to be an under-appreciated masterpiece in the Squeeze collection. The songs featured on 'Frank' are remarkable and personal and we can't help but be a bit enthusiastic when discussing them.

It’s a rare occurrence that by skimming a website after prompting a search for something written about Squeeze, you find an article from 10 years ago that stops you in your tracks.

Mike Duquette, founder of The Second Disc, discovered his love for Squeeze extended into that somewhat curious category of ‘back catalog.’

As we discover in this episode, Mike’s passion for the written word stood out after hitting a chord with me: his article on various incarnations of Squeeze compendiums and their worth for people seeking out the best way to appreciate them from a compilation standpoint is a gem - and insightful.

The site’s motto “if it’s reissued, remastered or expanded, you’ll find it here” pretty much says it all. And with Mike’s knowledge of this genre, we had a remarkable and varied conversation on what that means for a band like Squeeze, as well as some revelatory proclamations that can put a vital spin on where they should be heard in today’s challenging music environment.

You can find Mike and his editor Joe Marchese at:

https://theseconddisc.com

Few journalists have been able to go deep when it comes to the back history of the songwriting partnership and longevity of Chris Difford and Glenn Tilbrook. In this episode, I spoke to Jim Drury, author of the 2004 book 'Squeeze: Song By Song.' In candid interviews with Chris & Glenn, Jim was able to get to the heart of their process, both as friends and partners in the realm of a collaborative, descriptive, and music-based biography. At that time, Squeeze was not in place functioning as a band. However, when presented with the prospect of delving into a rich and diverse project (even with an extremely tight deadline), Jim has supplied the Squeeze community with an insightful look into their songs, enriched through the unique dynamic lens known as Difford & Tilbrook.