-
サマリー
あらすじ・解説
Host Anna Borges speaks with poet Nichole Perkins about doing things without the expectation for excellence. They speak about Nichole’s new painting hobby and how her confidence in writing poetry is fueled by her creative license to be a hobbyist painter. Hey Mood Ring listeners, we want to hear what you think about Mood Ring! You can help us out by filling out a short audience survey: moodringshow.org/surveyFollow Mood Ring @moodringshowFollow Anna @annabrogesMood Ring is a production of American Public Media and Pizza Shark! Full TranscriptAnna Borges: Hey everyone! Pop quiz for you. When you discover a new hobby that you’re really enjoying, do you: A. Strive to improve so you can be really good at it.B. Brainstorm ways to monetize it because hey, if you have to make money, you might as well have fun doing itC. Stress about other things you should be doing instead of indulging in said hobbyorD. Just..en…joy? Enjoy it? Wait, some of you can actually do that? Hey, I’m Anna Borges, and this is Mood Ring, a practical guide to feelings—even when you feel like you can’t relax and enjoy yourself. Today, we’re talking about the importance of no strings attached hobbies. You know, activities that don’t have to be productive or impressive or useful and even something you’re good at. Hobbies that don’t have to be anything other than…enjoyable. But a lot of things can get in the way of actually enjoying them, whether baking to relax turns into stressing about getting an Instagram-worthy loaf of bread or you get stressed out when you don’t discover a secret hidden talent the first time you pick up a paintbrush. You know if you’re anything like me that’s exactly what I do! Letting ourselves relax and be free to do something without the expectation of a performance or an end goal is hard. Even more so when the something we love overlaps with what we do for a living. That's where the no strings attached hobby comes in. Today’s guest is Nichole Perkins, a writer, poet, and the host of the podcast This is Good for You, where she helps people stop feeling bad about the things that they love to do. I also wanted to talk with her because as a creative, I assume she got the struggle of the work-hobby balance well. We dug into the beauty of trying things that we aren’t good at and how we can still enjoy our hobbies, even if they do come with strings attached, like overlapping with what you do for a living. Anna: Can I start by hearing something that you're bad at? Like something that you were just like awful at, but that you love? Nichole: Oh, um, so I recently started trying to figure out, um, acrylic painting, abstract acrylic painting. I don't know what I'm doing. I really don't know what I'm doing. I cannot draw a straight line. I cannot, I have never been able to perfect, um, a winged, you know, liner look because I cannot, I don't know what I'm doing. So that's something that I know that I am bad at, and I would never like really share that work with anybody because it's so bad, but it's also been really relaxing for me. Anna: I love that so much. so I have to ask, cause I feel like there are like two camps of people, largely there are people who can do that and enjoy that. And there are people and I'm in this camp who will do that and be like, this is gonna be like relaxing. I'm not gonna like pressure myself to be good. And then I still am like, but what if I want this to be good? Then I wind up in the boat of like Googling art lessons and oh my God, how do I get better at this blah, blah, blah, blah, blah. So like, are you, are you in one of those camps, have you felt the pressure to become good now that you've started? Nichole: Yes, absolutely. Because there was like this one tutorial on YouTube that was like, you know, easy beginner thing and it was the sunset and it's supposed to be with, uh, power lines and beautiful trees and maybe like a little shadow of a house, right. And I tried to draw the power lines and I was just like, oh yeah, this is not, I can't do this. And I mean, I ended up kind of being still pleased with the results of what I had done, because it actually still looked like a purposeful painting. But I do want to get to a point where it looks really good, but I am still very intimidated about trying to go, you know, find actual lessons or something like that, because I feel like I'm still very childish with, with, you know, learning this thing and I don't want to be in a classroom or whatever, you know, a workshop environment where there are people who are like, oh yeah, I used to draw, but then I stopped and now I'm back and they're like, you know. Anna: Or they're like, I'm so bad at this. And then you look over and you're like, excuse me, if you think that’s bad, don’t look. Nichole: Yes! Anna: But that's the thing is like you, I want the natural talents. I wanna be naturally good at things like I don't want to have to work to be ...