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サマリー
あらすじ・解説
The city’s obsession with the Whitestone Museum heist had reached a fever pitch. Rumors swirled like the summer storms that often swept across the Midwest, each new theory more outrageous than the last. But as the official investigation continued to yield no results, the community’s hope for a resolution began to wane. It had been months since that fateful June morning when the museum’s treasures were discovered missing, and the wooden carvings, strange and haunting, still sat in the police evidence room, their secrets tightly locked away. Rachel Price, the young journalist whose investigation had taken her into the darkest corners of the city’s history, was not ready to let the story go. What had started as a professional curiosity had turned into a personal quest for the truth. The symbols, the whispers of a secret society, and the reactions of the city’s elite—especially the guarded behavior of Charles Shaw—all pointed to something deeper than a mere art heist. Rachel was determined to uncover the full story, even if it meant putting herself in danger. Despite the anonymous threats and the growing unease that followed her everywhere she went, Rachel pressed on. Her research had already led her to the legend of the Circle of the Hollow Oak, a secretive group from the city’s past. They were rumored to have believed in the spiritual power of art, seeing it as a way to communicate with the past and preserve their legacy. The Circle had been composed of the city’s most influential families, people who had used their wealth and power to shape the town in ways both seen and unseen. But the question that kept Rachel awake at night was this: Did the Circle still exist, hiding in the shadows of modern-day Whitestone, and were they responsible for the heist? One evening, as twilight painted the sky in hues of purple and gold, Rachel found herself sitting in her small apartment, her laptop open and files spread out across her coffee table. She had spent the day combing through property records, looking for any sign that the Circle might still be operating. Her eyes burned from exhaustion, but she couldn’t stop. The deeper she dug, the clearer it became that the story wasn’t just about stolen art. It was about power, legacy, and the dark secrets that lay buried beneath the city’s polished exterior. Her phone buzzed, pulling her from her thoughts. It was a text from an unknown number: You’re playing a dangerous game. Walk away while you still can. Rachel’s heart skipped a beat. This wasn’t the first threat she had received, but each one made her more determined. She took a shaky breath and typed back a response: Not a chance. She knew she was getting close to something significant, something that someone wanted to keep hidden. But she also knew she couldn’t do it alone. The next morning, she decided to pay another visit to Detective Carter. Carter’s office at the police station was cluttered with files, a testament to the many cases that demanded his attention. He looked up as Rachel walked in, a weary smile tugging at his lips. “Back again?” he asked, leaning back in his chair. “You must really love making my life difficult.” Rachel couldn’t help but smile. “I think I have something,” she said, laying a folder on his desk. “Property records. A lot of them point to land owned by the Shaw family. Some of it dates back to the 1800s, and some of the properties are… strange. Old farmhouses, plots of land that have never been developed. And they all seem to circle a specific area.” Carter raised an eyebrow. “The Hollow Oak,” he murmured. “The place where the Circle supposedly held their meetings.” Rachel nodded. “Exactly. I think the Circle is still active, and I think they’re using those properties for something. Maybe even to hide the art.” Carter studied her for a moment, then sighed. “You know, Price, you’re either a genius or completely insane.” He flipped through the documents. “But you might be onto something. We’ve had our suspicions about the Shaw family for a while. Charles Shaw is as connected as they come, and he’s been careful to keep his name clean. But if we’re going to follow this, we need more than just speculation.” Rachel knew he was right. They needed hard evidence, something that could tie the Shaw family or any other powerful figures to the heist. But how could they get it without tipping off the people they were investigating? The answer came in the form of a man named William Grayson. Grayson was a former museum board member who had resigned under mysterious circumstances a few years earlier. Rachel had stumbled upon his name while reviewing old museum minutes and had noticed a pattern: Grayson had opposed several of Evelyn Morrison’s initiatives, especially those related to preserving indigenous art and making the museum’s collections more accessible to the public. The minutes hinted at bitter arguments, ...