Episode 3 - Jacob Slichter (Semisonic Drummer)
2024/06/29
再生時間： 59 分
ポッドキャスト

カートのアイテムが多すぎます

ご購入は五十タイトルがカートに入っている場合のみです。

カートに追加できませんでした。

しばらく経ってから再度お試しください。

ウィッシュリストに追加できませんでした。

しばらく経ってから再度お試しください。

ほしい物リストの削除に失敗しました。

しばらく経ってから再度お試しください。

ポッドキャストのフォローに失敗しました

ポッドキャストのフォロー解除に失敗しました

Episode 3 - Jacob Slichter (Semisonic Drummer)

無料で聴く

ポッドキャストの詳細を見る

サマリー
In the late 90s, hardly any bands were more ubiquitous than Semisonic. Thanks to their breakout hit "Closing Time", they shot to the top of the charts and cemented themselves as rock stars of that era. As the band's drummer, Jacob Slichter enjoyed the upsides of that period, from limousine rides to arena shows and TV appearances. However, what he didn't know was the vast amounts of payola needed to make their music successful. Their record label spent millions of dollars paying radio stations to play their music, and even if the results were ultimately positive, it left the band in debt up to their ears.
Jacob and I chatted about his early days as a musician, how Semisonic came to find success, what it's like being signed to a major label, and how payola worked in the 90s.

続きを読む一部表示

あらすじ・解説

In the late 90s, hardly any bands were more ubiquitous than Semisonic. Thanks to their breakout hit "Closing Time", they shot to the top of the charts and cemented themselves as rock stars of that era. As the band's drummer, Jacob Slichter enjoyed the upsides of that period, from limousine rides to arena shows and TV appearances. However, what he didn't know was the vast amounts of payola needed to make their music successful. Their record label spent millions of dollars paying radio stations to play their music, and even if the results were ultimately positive, it left the band in debt up to their ears.

Jacob and I chatted about his early days as a musician, how Semisonic came to find success, what it's like being signed to a major label, and how payola worked in the 90s.

音楽経済学

続きを読む一部表示