• Episode 85: Elizabeth Shockman

  • 2025/03/25
  • 再生時間: 1 時間 1 分
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Episode 85: Elizabeth Shockman

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  • “My job was to dance so well that it didn’t matter who favored me or why.” That’s a line from the compelling new memoir by world-renowned ballerina Joy Womack, “as told to” podcast guest Elizabeth Shockman. Together, in (dare we say it?) balletic prose, the two recount Womack’s storied career as the first American woman to dance under contract for the Bolshoi Ballet Theater in Moscow. “The dancers beside me were tired, pale after months of clouded winter skies,” they write in Behind the Red Velvet Curtain: An American Ballerina in Russia. “They bent and bowed, their bodies corded with muscle, like sallow stalagmites that had mushroomed off the floor of a cave.” Womack’s story offers a first-hand glimpse of the cutthroat world of ballet, complete with acts of violence and intrigue, tales of eating disorders and body shaming, and profiles of legendary Bolshoi coaches who encouraged obsessive devotion and imposed their uncompromising standards on their young charges. And yet beneath the ugliness of graft and competition, the author’s love of dance and her appreciation for the place ballet holds in Russian culture fairly leap off the page, as she reflects on the intersection of art and politics and exposes the shadowy underbelly of the world of professional ballet. First-time collaborator Elizabeth Shockman is a public radio journalist based in Minnesota. Her work has been featured on National Public Radio, Public Radio International, Minnesota Public Radio, and the BBC. She has previously written for Reuters, The Moscow Times, and other publications. She first met Joy Womack on assignment for Reuters in Moscow and spent over a dozen years collaborating with her on this book. (Yes, Elizabeth agrees, that’s a very long time to work on one project, but as she shares in this episode of As Told To: The Ghostwriting Podcast, it sometimes happens that life and career take center stage, both for an author and her subject, as memoir waits in the wings.) Learn more about Elizabeth Shockman: InstagramTwitterBlueSkyJoy Womack InstagramJoy Womack Facebook Please support the sponsors who support our show: John Kasich’s Heaven Help Us (now available for pre-order)Ritani Jewelers Daniel Paisner's Balloon DogDaniel Paisner's SHOW: The Making and Unmaking of a Network Television PilotHeaven Help Us by John KasichUnforgiving: Lessons from the Fall by Lindsey JacobellisFilm Movement Plus (PODCAST) | 30% discountLibro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membershipFilm Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef SuttonEveryday Shakespeare podcastA Mighty Blaze podcastThe Writer's Bone Podcast NetworkMisfits Market (WRITERSBONE) | $15 off your first order Film Movement Plus (PODCAST) | 30% discountWizard Pins (WRITERSBONE) | 20% discount
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あらすじ・解説

“My job was to dance so well that it didn’t matter who favored me or why.” That’s a line from the compelling new memoir by world-renowned ballerina Joy Womack, “as told to” podcast guest Elizabeth Shockman. Together, in (dare we say it?) balletic prose, the two recount Womack’s storied career as the first American woman to dance under contract for the Bolshoi Ballet Theater in Moscow. “The dancers beside me were tired, pale after months of clouded winter skies,” they write in Behind the Red Velvet Curtain: An American Ballerina in Russia. “They bent and bowed, their bodies corded with muscle, like sallow stalagmites that had mushroomed off the floor of a cave.” Womack’s story offers a first-hand glimpse of the cutthroat world of ballet, complete with acts of violence and intrigue, tales of eating disorders and body shaming, and profiles of legendary Bolshoi coaches who encouraged obsessive devotion and imposed their uncompromising standards on their young charges. And yet beneath the ugliness of graft and competition, the author’s love of dance and her appreciation for the place ballet holds in Russian culture fairly leap off the page, as she reflects on the intersection of art and politics and exposes the shadowy underbelly of the world of professional ballet. First-time collaborator Elizabeth Shockman is a public radio journalist based in Minnesota. Her work has been featured on National Public Radio, Public Radio International, Minnesota Public Radio, and the BBC. She has previously written for Reuters, The Moscow Times, and other publications. She first met Joy Womack on assignment for Reuters in Moscow and spent over a dozen years collaborating with her on this book. (Yes, Elizabeth agrees, that’s a very long time to work on one project, but as she shares in this episode of As Told To: The Ghostwriting Podcast, it sometimes happens that life and career take center stage, both for an author and her subject, as memoir waits in the wings.) Learn more about Elizabeth Shockman: InstagramTwitterBlueSkyJoy Womack InstagramJoy Womack Facebook Please support the sponsors who support our show: John Kasich’s Heaven Help Us (now available for pre-order)Ritani Jewelers Daniel Paisner's Balloon DogDaniel Paisner's SHOW: The Making and Unmaking of a Network Television PilotHeaven Help Us by John KasichUnforgiving: Lessons from the Fall by Lindsey JacobellisFilm Movement Plus (PODCAST) | 30% discountLibro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membershipFilm Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef SuttonEveryday Shakespeare podcastA Mighty Blaze podcastThe Writer's Bone Podcast NetworkMisfits Market (WRITERSBONE) | $15 off your first order Film Movement Plus (PODCAST) | 30% discountWizard Pins (WRITERSBONE) | 20% discount

Episode 85: Elizabeth Shockmanに寄せられたリスナーの声

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