Welcome back to another episode of Film Conversations. After a bit of a hiatus, we’re back and at full force, so to speak: RC Charles Robert is back at the table.

Today’s film is FW Murnau’s silent masterpiece, released in 1926: Faust.

To set the scene, here’s an excerpt from the Criterion article on the film:

https://criterioncast.com/column/for-criterion-consideration/for-criterion-consideration-f-w-murnaus-faust

One of the most well known legends of the Renaissance period was Faust, a German necromancer whose exploits transformed into the tale of a man who sells his soul to the Devil in exchange for all the knowledge in the world. Over the centuries, the story has been countlessly reshaped and rebooted. Most recently Russian director Alexander Sokurov (who is most well known for his one-take wonder, Russian Ark) released a free-interpretation of the Faustian tale. The first film to directly adapt the story was made by Frederich Wilhelm Murnau in 1926, just before he moved to America. Based on a two-part dramatic poem by Goethe, Faust begins with the demon Mephisto who has made a bet with an Archangel that he can corrupt any righteous man’s soul. If the Devil succeeds, he will win dominion over earth. The Archangel agrees, on the condition that the Devil set his sights on Faust, an elderly alchemist whose pursuit of knowledge and truth sets him apart from man. The Devil delivers the plague to a local village, forcing Faust to use his alchemic skills to create an antidote. After he fails to find a cure, Faust rejects God and science, turning to a book of dark magic to summon Mephisto (played by Emil Jannings). Once Mephisto materializes on Earth, he presents Faust with a contract stating that he will now be able to cure the plague in exchange for his soul.

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This was a great conversation that, as usual, ranged beyond the film to wider, yet still related matters.

Oh and during the intro, the German film company UFA is mentioned. You can learn more about UFA here.

In today’s episode, we discuss the 1966 Italian film, the Battle of Algiers. The film, based on events that occurred during the Algerian war against French occupation (1954-62) and specifically, the battle in the capital city of Algiers, depicts the actions of the various groups that fought against, and with each other during that war. Here is a synopsis from Criterion:

“One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. As violence escalates on both sides, children shoot soldiers at point-blank range, women plant bombs in cafés, and French soldiers resort to torture to break the will of the insurgents. Shot on the streets of Algiers in documentary style, the film is a case study in modern warfare, with its terrorist attacks and the brutal techniques used to combat them. Pontecorvo’s tour de force has astonishing relevance today.”

As the Criterion synopsis states, ‘Battle of Algiers’ remains relevant. During this conversation, we use the film as a foundation for a broader conversation about its relevance to present concerns and the ongoing battle for liberation.

Battle of Algiers - Criterion

https://www.criterion.com/films/248-the-battle-of-algiers

George Jackson Interview (mentioned by Dennis)

https://www.historyisaweapon.com/defcon1/jacksoninterview.html

Tariq Ali article

https://socialistworker.co.uk/in-depth/the-killing-of-palestinians-is-undoubtedly-genocide-tariq-ali-and-others-speak-out/

French Algeria

https://en.wikipedia.org/wiki/French_Algeria

On July 26 of 2024, a story was published by entertainment industry trade magazine Variety about Francis Ford Coppola’s alleged behavior on the set of his film, Megalopolis.

Here is an excerpt from the article:

Video has surfaced of director Francis Ford Coppola that shows the legendary director trying to kiss young female extras on the set of his ambitious sci-fi epic. Variety has obtained two videos that were taken by a crewmember last year during the filming of a bacchanalian nightclub scene.

Two sources told Variety that Coppola appeared to act with impunity on set. And unlike traditional movies, Coppola financed the entire $120 million budget himself, so there were none of the traditional checks and balances in place. The videos would appear to corroborate a bombshell report in the Guardian that claimed the 85-year-old director “tried to kiss some of the topless and scantily clad female extras” and told them “he was ‘trying to get them in the mood.’” The Guardian story broke right before “Megalopolis” made its world premiere in Competition in Cannes.

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After reading this story, I immediately experienced disappointment. As a filmmaker, I’ve admired Coppola, and considered him to be a venerable elder of the industry. Beyond disappointment however, I began to think of misogyny in the film industry - a matter of patriarchal society and power, among other things. This brings me to our guest, Mary Wild who, we're happy to say, has been on Film Conversations before to discuss Hitchcock’s Vertigo.

On Mary's bio page at the Global Center for Advanced Studies website she's described as a 'Freudian Cinephile’ and pop psychoanalyst, creating content related to cinema, philosophy, and the modern cultural landscape, founder of the Projections lecture series at Freud Museum London, applying psychoanalysis to film interpretation, which has been running since 2012. She teaches film at City Lit and Picturehouse Cinemas, and has produced events for London Centre for Interdisciplinary Research, Picturehouse Cinemas, White Cube Gallery, and Morbid Anatomy. She also co-hosts Projections Podcast, contributes to Evolution of Horror Podcast.

In this episiode, we use the story of Coppola to examine misogyny in the film industry and beyond.

Variety article on Coppola

https://variety.com/2024/film/news/megalopolis-set-video-francis-ford-coppola-kissing-extras-1236082653/

Mary Wild GCAS Page

https://gcascollege.ie/mary-wild

Projections Lecture Series

https://www.freud.org.uk/tag/projections/

Projections Podcast

https://www.projectionspodcast.com/

Evolution of Horror Podcast

https://www.evolutionofhorror.com/player

Hollywood by Garson Kanin

https://www.goodreads.com/book/show/1105839.Hollywood

Why women had better sex under socialism by Kristen R. Ghodsee

https://www.goodreads.com/book/show/53284567-why-women-had-better-sex-under-socialism?ref=nav_sb_ss_1_18