IT’S OUR 100TH EPISODE OF GET ME ANOTHER! While we ourselves are incapable of change, the Friday the 13th franchise is about to kick into overdrive.

We look at the two movies that added the final pieces that cemented Jason Vorhees’s status as a horror icon. FRIDAY THE 13TH PART III (1982) and FRIDAY THE 13TH: THE FINAL CHAPTER (1984).

What do you get when the marketing team wants to sell aliens and inhuman monsters, but you made a wilderness set Friday the 13th riff?

We look at two slasher films with wildly inaccurate ad copy released in 1983, Andrew Davis’s THE FINAL TERROR, featuring a fantastic performance by Joe Pantoliano, and cinematic “bad boyfriend” THE PREY, featuring a cucumber and cream cheese sandwich.

Ryan from The New World Pictures Podcast joins to discuss Sisworo Gautama Putra’s SRIGALA (1981), a wild treasure-hunting Indonesian slasher film that owes much to Friday the 13th while simultaneously being its own unique experience.

To check out The New World Pictures Podcast: https://newworldpicturespodcast.com

This week features two films centered on a group of hikers encountering a backwoods killer in the mountains executed to quite different results.

DON’T GO IN THE WOODS (1981) is one of the infamous video nasties banned in the UK during the 1980s. Did it deserve it?

We then focus on a slasher film that has gained its reputation over time, JUST BEFORE DAWN (1981) directed by Jeff Lieberman.

The show goes Cropsey-Turvy this week with two films based on the New York urban legend of Cropsey: First up is THE BURNING (1981) featuring early career performances by Jason Alexander, Fisher Stevens, and Holly Hunter. Then MADMAN (1981) gives us the legend of Madman Marz, as well as one sweet, sweet theme song.

Pack your sleeping bags and don’t stand with your back to a window because it’s time for Sean S. Cunningham & Victor Miller’s FRIDAY THE 13TH (1980) to prove that a movie capitalizing on a trend can become a trendsetter in its own right.

We then look at how FRIDAY THE 13TH PART 2 (1981), directed by Steve Miner, altered the trajectory of the franchise and overall trend.

Our post-apocalyptic summer climaxes with Kevin Costner’s THE POSTMAN, a movie that plays with and goes beyond the conventions of the genre in a wonderfully bizarre way.

Does Costner perform Shakespeare with a mule? Yes.

Are there clips from Universal Soldier and The Sound of Music in the film? You bet your bippy.

Was it unfairly maligned and gave us the feels anyway? Tune in to find out! (But also, yes.)

Join us as we enter a world where the polar ice caps have melted and studio film budgets have no meaning. That’s right, we’re not done with the post-apocalypse yet. It’s time for WATERWORLD, the fourth collaboration between star Kevin Costner and director Kevin Reynolds.

Special Guest Max Evry (A MASTERPIECE IN DISARRAY: DAVID LYNCH’S DUNE. AN ORAL HISTORY.) helps us dissect this much maligned action film. Will we decide to trade it for a few ripped out sheets from an old National Geographic? Or do we discover faith in the myth of dry land and set sail?

Max’s website: https://www.maxevry.com

X: https://twitter.com/maxevry

Instagram: https://www.instagram.com/maxevry1