In 1981, 11-year-old Matt De Meritt got a phone call that would change his life. He wasn’t a child actor, or a performer of any kind. He was just a suburban kid enjoying his summer before he had to go back to school. But Matt had something no other kid had — something Steven Spielberg needed in order to embark on his most ambitious movie yet.

Note: This episode contains discussions of suicide. Please take care while listening.

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VERY SPECIAL CREDITS
Hosted by Dana Schwartz, Zaron Burnett, and Jason English
Written by Jake Rossen
Produced by Josh Fisher
Story Editor is Marisa Brown
Editing and Sound Design by Jonathan Washington and Josh Fisher
Mixing and Mastering by Baheed Frazier
Voice Actors are Jess Krainchich and Juliet English
Original Music by Elise McCoy
Research and Fact Checking by Jake Rossen and Austin Thompson
Show Logo by Lucy Quintanilla
Executive Producer is Jason English

Special thanks to Simon Brew. Check out the Film Stories podcast!

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Hosts Ryan Murdock and Gabbie Watts head to Microcon, a convention of micronationalists. Think Model UN meets ComicCon. We’ll engage in light diplomacy, explore invented histories and exchange gratuitous amounts of medals. Plus, there’s a taco bar! Among the characters you’ll meet are Zaq from Zaqistan, the President of Molossia, the Sultan of Slowjamastan, the Princess of Sancrotosia and a bunch of dictator-curious statesmen, all asking the question: if you could start a country from scratch, what would it look like?

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Things come to a head in Hailey as Bruce Willis enlists the help of a rogue security force to chase unwanted visitors out of town. Soon, a life-altering event threatens to end the love affair between Willis and Hailey.

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Hailey, Idaho isn’t the only small town Bruce Willis wants to remake. He sets his sights on Penn's Grove, New Jersey, his actual hometown, and promises big things to come for the economically-strapped region. But red tape and negative press threaten to leave the town with a broken heart—and leave Hailey wondering if they’re still on Willis’ good side.

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Willis announces he’s starring in and producing a major feature film - a Kurt Vonnegut adaptation - that will be shot in the state of Idaho. He even gives some local actors their big screen breaks. But in a bid to retain almost complete creative control, Willis upends both his career and the lives of his Idahoan neighbors.

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Small town bureaucracy slows Willis’ ambitions, the police go after his inner circle and some Hailey residents are just saying no to Bruce. When lawsuits start popping up, Willis steps out of the shadows and flexes his political muscle. It turns into a statewide battle when the federal government proposes dumping nuclear waste 60 miles away from Hailey.

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Bruce Willis opens his biggest investment in Hailey yet—the two-story Mint bar and nightclub. Major acts draw modest crowds, but the real attraction is Willis and his band, who show up unannounced and rock long into the night. But having a major nightlife hotspot in the sleepy town leads to some big city problems, problems that leave some wondering where did the real Hailey go?

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Willis ventured into big business with his gimmicky Planet Hollywood franchise, but after being a quiet Hailey resident for several years, Willis buys and renovates a restaurant and bar, and soon an old movie theater. When blockbuster Hollywood premieres start happening on Hailey's main street, residents soon realize that Willis' persona casts a big shadow.

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