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あらすじ・解説
When we left off last season FDR’s New Deal and the end of WWII meant America was out of the Great Depression. But in 1960 people were waking from dreams of Earth Angels and Chantilly Lace to times that were changing. The Civil Rights movement, The Women's Movement, and Anti-war protests were drawing attention and building momentum. Longer nightly news broadcasts meant Americans were seeing more and gaining consciousness of what life was like not only overseas, but right in their own backyards. People were seeing what it meant to be black in America and to be poor in America. Popular culture, especially music, reflected this, in folk music and protest songs like Odetta’s Oh Freedom, in Bob Dylan’s “Oxford Town” Nina Simone’s “Mississippi Goddam,” and in jazz like John Coltrane’s “Alabama.” These recordings brought the injustices of American life into the public consciousness in a new way. So on November 22, 1963, when the 35th president of the United States John Fitzgerald Kennedy was assassinated in Dallas, Texas, and Vice President Lyndon Baines Johnson assumed the role of president of the United States and wasted no time getting to work on continuing the legacy of not only Kennedy but of FDR. And creating a series of programs that he hoped would define his legacy as well. In May of 1964, 6 months before he would be elected president of the US in a landslide victory. President Johnson laid out his vision for The Great Society in a speech at the University of Michigan. And this was no pie-in-the-sky hyperbole. Johnson was the architect of the continuation of the safety net through the great society and that meant. Passing the civil rights bill was crucial for Johnson, not only because he was continuing Kennedy’s legacy, but because it was a foundational piece of his Great Society and the American Safety Net. But who was LBJ? What motivated his keen focus on domestic policy, poverty, civil rights, healthcare, and education, especially at a time when the Cold War was heating up and the war in Vietnam was on everyone’s hearts, minds, and TVs? In this episode we explore Lyndon Baines Johnson the man and the president with Pulitzer Prizing-winning biographer Robert Caro, we hear conversations between LBJ with Martin Luther King Jr. and we get a better understanding of the context and the consequences of this monumental moment in American history. Special thanks to our other guests for this episode H.W. Brands, Julian Zelizer, and Erine Gray, and to The Miller Center at the University of Virginia, The American Presidency Project at The University of California Santa Barbara, and The LBJ Presidential Library and Museum in Austin Texas for their consultation and use of archived materials. Michael Zapruder arranged and composed the music for this show, and played guitar, with Jeff Olsen on drums, Mike St. Clair on bass, and Sam Lipman on keyboards. Executive Producer, Rebecca McInroy. Advising Editor, Jim Tuttle Intern, Frances Cutter