• Intersubjectivity in Film

  • 2024/12/13
  • 再生時間: 27 分
  • ポッドキャスト

Intersubjectivity in Film

  • サマリー

  • Why does watching a movie in a theater feel completely different from watching it at home on your couch? Dive into the fascinating world of collective film experience! In this episode, we explore the magical bond that forms when hundreds of people laugh, cry, and marvel together. From Hitchcock's masterpieces to modern streaming revolutions, we reveal the secret techniques filmmakers use to orchestrate our emotions.

    Sources:

    • https://heinke.squarespace.com/blog/2024/12/13/intersubjectivity-in-film
    • https://encyclopedia.pub/entry/intersubjectivity
    • https://en.wikipedia.org/wiki/Intersubjectivity
    • https://en.wikipedia.org/wiki/Film_theory
    • https://en.wikipedia.org/wiki/Pleasantville_\(film\)
    • https://www.oxfordbibliographies.com/display/document/obo-9780199791286/obo-9780199791286-0067.xml
    • https://www.academia.edu/documents/in/Film_Audience
    • https://www.academia.edu/documents/in/Film_Psychology
    • https://www.erudit.org/fr/revues/rssi/2015-v35-n2-3-rssi02447/
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あらすじ・解説

Why does watching a movie in a theater feel completely different from watching it at home on your couch? Dive into the fascinating world of collective film experience! In this episode, we explore the magical bond that forms when hundreds of people laugh, cry, and marvel together. From Hitchcock's masterpieces to modern streaming revolutions, we reveal the secret techniques filmmakers use to orchestrate our emotions.

Sources:

  • https://heinke.squarespace.com/blog/2024/12/13/intersubjectivity-in-film
  • https://encyclopedia.pub/entry/intersubjectivity
  • https://en.wikipedia.org/wiki/Intersubjectivity
  • https://en.wikipedia.org/wiki/Film_theory
  • https://en.wikipedia.org/wiki/Pleasantville_\(film\)
  • https://www.oxfordbibliographies.com/display/document/obo-9780199791286/obo-9780199791286-0067.xml
  • https://www.academia.edu/documents/in/Film_Audience
  • https://www.academia.edu/documents/in/Film_Psychology
  • https://www.erudit.org/fr/revues/rssi/2015-v35-n2-3-rssi02447/

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