エピソード

  • EP13 Nick Canney
    2025/04/14

    Nicholas Kirk-Canny is an improviser, composer and creative coder with experience in instrumental and digital music. He recently completed a Ph.D. in Creative Music Practice at the University of Edinburgh, which involved the humanisation of electronic music. Currently, he is working as a postdoc at the Computer Music Laboratory at the Open University in Milton Keynes, on the Polifonia Access Pilot, which aims to develop new ways to enhance participation and engagement in music.


    Nick’s Instagram


    Nick’s Soundcloud


    Nick’s PhD


    Keith McMillen SoftStep


    The Guitar Wing


    The Triple Play MIDI pickups


    Kurt Rosenwinkel’s website


    The Open University Music Lab website


    Rob Clouth’s website


    This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.


    Thanks for listening.

    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 2 分
  • EP12 Ollie Turbitt
    2025/03/31

    ​ollie turbitt is a scottish-italian musician, sound artist, and audio engineer based in trento, italy. as well as providing guitar and bass duties for a handful of bands, he has pursued a fluctuating solo career in avant-garde exploration. under the pseudonyms oxhead, sforza gramsci, oj turbitt, hermetic gaze and others, his self-released cassettes, usbs and digital albums have aimed to express ideas of cultural memory, psychogeography, false consciousness and mysticism/esotericism through improvisation, sound collage, ambient textures, laptop experimentation and field recordings. ollie also runs dead hound records (which serves as a platform for both his own material and an increasing list of international experimental acts) & works in freelance mixing/mastering.


    Ollie’s website

    Dead Hound Records bandcamp


    Brigid we Built on Rock from Skein

    All Things in Common from Omnia Sunt Communia (Synthetic Landscapes for Tape, Computer and Filterbank)


    VCV Rack modular synthesis software

    1982, Janine by Alisdair Gray

    Castel Sant’Angelo Rome website

    Kevin Drumm’s Imperial Distortion

    Memoirs of Hadrian by Marguerite Yourcenar


    This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.


    Thanks for listening.


    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 29 分
  • EP11 Elaine Cheng
    2025/03/17
    Music and sound art listened to and discussed in this episode:Wasp Cavernous Deep Sound of SouthsideElaine’s InstagramEliane Radique ARP 2500 Trilogy of DeathCeler’s website Celer’s BandcampCatarina Barbieri’s website Catarina Barbieri’s BandcampLongplayer by Jem FinerJoanna Demers’ bibliographyWasp synthesizer Goldsmiths Electronic Music Studio Prophet 12 SoundHackO Magnum Mysterium by Morten LauridsenArt 27 Scotland Festival of Migration Southside Community CentreArticle 27 of The Declaration of Human RightsKalimba Pipa Initiative Refugee Week Autism Take 5Ros Fraser's website - artist who has worked at Govanhill Baths in GlasgowCulture Collective by Creative ScotlandCulture Collective 2022/23 ARTISTS IN RESIDENCE ARE: Elaine Cheng, Ghazi Hussain, Laleh Sherkat, Marta Adamowicz, Robert Motyka, Robert Rae, Shatha AltowaiThis episode was researched, hosted, produced, and edited by Jim Reeve-Baker.Thanks for listening. Hosted on Acast. See acast.com/privacy for more information.
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    1 時間 26 分
  • EP10 Mathias Arrignon
    2025/03/03
    Mathias Arrignon is an artist from Val-de-Marne (France), currently residing in Glasgow and working across Europe. His works merges field recording practices, audio technology, interactive installations and participatory performances to instil forms of interconnectedness with worlds that are often more-than-human.Mathias’ websiteThunder of ApplausesOceanomicon Link 1Oceanomicon Link 2A Cubic Kilometre of the Entlebuch from To the Hum of the ForestUAL London College of Communication Sound Art Master’s programmeSound of the Year AwardsRadio France show concerned with the environmentFrancois J Bonnet’s book The Infra-WorldAstrida Neimanis’ book Bodies of Water Posthuman Feminist PhenomenologyArts of Living on a Damaged Planet: Ghosts and Monsters of the AnthropoceneAnnea Lockwood’s A Sound Map of the DanubeRumors from the Sea by Felix BlumeJana Winderen’s websiteEntlebuch Biosphere WikiAnthropos Ex artists’ collectiveMark Peter Wright’s websiteClair Rousay’s websiteTheodore Cale Schafer’s bandcamp pageBen Babbitt’s bandcamp pageDisasterpeace aka Rich Vreeland’s websiteExpeditions to the Arctic CircleFaber FuturesThis episode was researched, hosted, produced, and edited by Jim Reeve-Baker.Thanks for listening. Hosted on Acast. See acast.com/privacy for more information.
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    1 時間 15 分
  • EP9 Lisa Conway LCON
    2025/02/17

    Lisa Conway-Bühler is a Swiss-Canadian composer, sound artist, songwriter, researcher, recordist, and mixer. Her recordings have been described as "ethereal, minimalist, experimental, unnerving…and downright elegant" (AUX): in her sound worlds, analog synthesizers, drum machines, and electronics often live alongside string arrangements and woodwinds. An artist who continually tries to push herself into the unfamiliar, her multifaceted CV includes original scores and songs for documentaries, short films, and theatre productions, site-specific multi-channel sound and light installations, collaborations with contemporary dancers and performance artists, and an array of renowned creative residencies.


    Limestone I from SOUNDMILL Improvisations

    Signal Erosion Performance with Helena Hamilton at Sonorities Festival Belfast

    Alphorn Tape Loop I from The Isolator


    Lisa’s website


    The Alphorn

    Oliver Schroer’s website

    Matt Brubeck’s website

    Janet Cardiff’s website

    Guelph Jazz Festival

    International Institute for Critical Studies in Improvisation

    Goldie Mill in Guelph

    Cathy van Eck Beyond Air and Electricity

    EchoBoy

    Belfast Sonic Arts Master’s Programme

    Helena Hamilton

    Heimatort


    This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

    The photograph used for the artwork was taken by Alix Forgeot


    Thanks for listening.

    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 8 分
  • EP8 Özcan Saraç
    2025/02/03

    Multidisciplinary artist Özcan Saraç merges the boundaries between art, philosophy and science in his installation and discography work. Through an examination of the fundamental aspects and dynamics of contemporary matters, the artist infuses his artworks with conceptual and complex structures dedicated to existential perspective shiftings.


    Saraç crafts his research framework with a focus on both the tangible elements of the natural and built environment and abstract constructs like political and financial systems or decision-making processes. His exploration delves into the intricate relationships individuals maintain with their encompassing universe, pinpointing information processing and transformation systems as the core of his inquiry. Saraç is committed to incorporating research methodologies from various disciplines alongside creative techniques of expression and innovative publishing tools.


    His works have been exhibited in London, Paris, New York, Istanbul, Zurich, Geneva, Basel and Milan. Released six albums internationally under his name on the record labels Evel (Spain), Superpang (Italy), Tokinogake (Japan) and Kaer'Uiks (Germany). Performed internationally at several organizations.


    Music listened to and discussed in this episode:

    8RRHoeW4jtE

    Back to the unstable proposition,

    Motion (i)


    Özcan’s Bandcamp

    Özcan’s Website


    Joe Gimore’s website

    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 8 分
  • EP7 Sara Constant
    2025/01/20

    Sara Constant is a musician and artist working in various forms of contemporary/experimental music and sound. Trained as a flute player and active as a soloist, improviser, sound artist, and ensemble musician, Sara’s work involves interpretations of composed music, improvisations with instruments and electronics, and sound installation, to explore ideas around listening, resonance, and place. Sara has released music on People Places Records and Age of Leisure, has performed on releases from Centrediscs and Sawyer Editions, and has presented sound installations and solo projects across Canada, Europe, and the United States. Sara is currently based in Tkarón:to/Toronto, working as a flutist, artist, writer (Musicworks), and curator (Music Gallery).


    Links:

    Music and sound art listened to and discussed in this episode:

    Mutable Bodies Number 1: Soft Speaking: https://saraconstant.ca/jellos https://saraconstant.ca/jellos-full-length

    Five Times Recycled: https://sawyereditions.bandcamp.com/album/no-grief-without-joy

    Surface Tensions: https://saraconstant.ca/surface-tensions

    Sara’s website: https://saraconstant.ca

    The Music Gallery in Toronto: https://musicgallery.org/

    Alvin Lucier’s I am Sitting in a Room: https://www.youtube.com/watch?v=bhtO4DsSazc

    Women From Space Festival 2022 edition review: https://www.musicworks.ca/reviews/women-space-festival

    Women From Space Website: https://www.womenfromspace.com


    This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.


    Thanks for listening.


    https://www.instagram.com/into_the_noise/


    Hosted on Acast. See acast.com/privacy for more information.

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    1 時間 8 分
  • EP6 Guy Birkin
    2025/01/06
    Links:Music listened to and discussed in this episode:https://flufrecs.bandcamp.com/album/aa0006https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-nighthttps://guybirkin.bandcamp.com/album/rushed-snaresGuy's websiteGuy's PhDAdditional musichttps://guybirkin.bandcamp.com/album/liminal-kickshttps://evel.bandcamp.com/album/animation-image-analysisBroadway One: https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/Errorsmith Razor Synth: https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbdAncient Woodlands: https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/Marie Thompson's Beyond Unwanted Sound: https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/The On-Line Encyclopaedia of Integer Sequences: https://oeis.org/Stephen Wolfram's A New Kind of Science: https://www.wolframscience.com/nks/Mentioned labelshttps://f4lsch.bandcamp.com/https://farmersmanual.bandcamp.com/https://generalmagic.bandcamp.com/https://sm-ll.bandcamp.com/https://threeop.bandcamp.com/The photograph used in this episode's artwork was taken by Mike Ford.This episode was researched, hosted, produced, and edited by Jim Reeve-BakerThanks for listeningInto The Noise Instagram Hosted on Acast. See acast.com/privacy for more information.
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    1 時間 7 分