Bhakti Republic with Amit Basole, in its third episode Kayakave Kailasa, elucidates the poetry of the vachanakaras. Radio Azim Premji University presents a selection of eleven vachanas by Akka Mahadevi, Allama Prabhu, Ayadakki Marayya, Basavanna, Devara Dasimayya, Kalavve, Madara Chennaiah, Maritande, and Sule Sankavva. They are rendered by singer M. D. Pallavi, with musician Bruce Lee Mani accompanying on guitar. These spontaneous performances were improvised and recorded in an informal set-up as a soundtrack to the episode.

Performed by M. D. Pallavi and Bruce Lee Mani

Poems selected by Amit Basole

Supported by: Akshay Ramuhalli, Arjun Jayadev, Bijoy Venugopal, Kripa Gowrishankar, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar

Produced for Radio Azim Premji University

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Poet - Madara Chennaiah

Translator: H.S. Shivaprakash

Source: I Keep Vigil of Rudra, Penguin Classics

Performed by M. D. Pallavi and Bruce Lee Mani

For Bhakti Republic with Amit Basole

Radio Azim Premji University, 2023

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After erecting three pillars

The gross, the subtle, and the causal bodies

After beating the buffaloes’ rough hide

After removing the flesh

With the staff of the manifest and the hidden

After tanning the hide with the fire of dualism

After pouring the caustic juice of quintessence

Into the hide-pouch of awareness

The blemishes of soul thus destroyed

I have come to take the sandals to his feet.

Take care,

Not of the ground below,

But of the path your feet and sandals take.

Do not be enslaved

By the hand-awl, blade, or peg

But realise

Ramarama, your own true self, the joy of joys!

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Madara Chennaiah, a renowned vachana poet from the 11th century, earned recognition during the era of the Western Chalukyas in southern India. Despite working as a cobbler and being affiliated with the Madiga caste, he left a legacy through his vachanas, which he signed under the pseudonym ‘Nijaatmaraama Raamana,’ though only ten have endured over time. His poetry delved into the injustice of feeling superior due to one's caste, advocating for equality by highlighting that everyone shares the same origins and physical composition. Chennaiah asserted that an individual's value stems from their ethical conduct rather than their caste, dividing people into two categories based on their actions: those who perform good deeds and those who engage in wrongdoing. Additionally, his poems addressed a significant theological debate regarding the duality or unity of existence. His powerful and meaningful vachanas emerged from the fusion of metaphors drawn from his cobbler trade, interwoven with profound theological concepts.

Poet: Basavanna

English translation by A K Ramanujan | Speaking of Siva, Penguin Classics

Performed by M. D. Pallavi and Bruce Lee Mani

For Bhakti Republic with Amit Basole

Radio Azim Premji University, 2023

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The rich

will make temples for Siva.

What shall I,

a poor man,

do?

My legs are pillars,

the body the shrine

the head a cupola

of gold.

Listen, O Kudalsangamadeva,

things standing shall fall,

but the moving ever shall stay.

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Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.