“This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.”

Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law. His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together.

Episode Website

www.creativeprocess.info/pod

Instagram:@creativeprocesspodcast

Why is it that we find the courage to boldly confront mainstream societal norms and structures, yet are so often unable to treat romantic partners with care and generosity? Why do we lose our principles when we become insecure, disappointed, or jealous? Why do we act our worst in sexual and romantic relationships? And why do we prioritize romantic connection above other types of relationships, like friendship?

Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law. His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together.

“This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.”

Episode Website

www.creativeprocess.info/pod

Instagram:@creativeprocesspodcast

“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.

You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”

Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.

www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women?

Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. Her other notable projects include A Girl in the River: The Price of Forgiveness, Transgenders: Pakistan’s Open Secret, and the television miniseries Ms. Marvel.

“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.

You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”

www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.”

Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain.

http://mattiamauree.com
https://studio.com/mattia
https://mattiamauree.com/love-your-brain
https://www.audhdflourishing.com/hello

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we learn to flourish because of who we are, not in spite of it? What is the sensory experience of the world for people with autism and ADHD? How can music help heal trauma and foster identity?

Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain.

“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.”

http://mattiamauree.com
https://studio.com/mattia
https://mattiamauree.com/love-your-brain
https://www.audhdflourishing.com/hello

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"That production was really close to my heart because I was a musical theater dancer in the eighties and so that whole storytelling was something that I personally had lived through and really understood. You know, I was that kid at the Pineapple Dance Studios. And gradually, as friends around me sort of began to become unwell, and actually, one of the first people that I knew who died from HIV was my singing teacher at the time, a guy called Chris Edwards. He was the first person that contracted HIV that I knew, and he died within 18 months. So Russell T. Davies. Peter Hoar, the amazing director, and myself were of the generation who had lived through this, but for the young cast it was something that was about history, so that work of really exploring it was important. And also then, there was a cast member for whom the experience of HIV was a lived experience.”

Ita O’Brien is the UK’s leading Intimacy Coordinator, founder of Intimacy on Set (and author of the Intimacy On Set Guidelines). Her company, set up in 2018 provides services to TV, film, and theatre when dealing with intimacy, and is a SAG-Aftra accredited training provider of Intimacy Practitioners. Intimacy on Set has supported numerous high-profile film and TV productions including Normal People & Conversations With Friends (BBC3/Hulu), Sex Education 1&2 (Netflix), I May Destroy You (BBC/HBO), It’s A Sin (Channel 4), (Neal Street Prods / Searchlight Pictures).
https://www.itaobrien.com/
https://www.itaobrien.com/intimacy-on-set-guidelines.html
https://www.imdb.com/name/nm1357677/

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can intimate scenes be brought to the screen in ways that respect the emotional well-being and privacy of the artists themselves? How do we make sure that we can create a story about abuse without anyone being abused in the process?

Ita O’Brien is the UK’s leading Intimacy Coordinator, founder of Intimacy on Set (and author of the Intimacy On Set Guidelines). Her company, set up in 2018 provides services to TV, film, and theatre when dealing with intimacy, and is a SAG-Aftra accredited training provider of Intimacy Practitioners. Intimacy on Set has supported numerous high-profile film and TV productions including Normal People & Conversations With Friends (BBC3/Hulu), Sex Education 1&2 (Netflix), I May Destroy You (BBC/HBO), It’s A Sin (Channel 4), (Neal Street Prods / Searchlight Pictures).

It's a Sin - Telling Stories About the HIV/AIDS crisis:

"That production was really close to my heart because I was a musical theater dancer in the eighties and so that whole storytelling was something that I personally had lived through and really understood. You know, I was that kid at the Pineapple Dance Studios. And gradually, as friends around me sort of began to become unwell, and actually, one of the first people that I knew who died from HIV was my singing teacher at the time, a guy called Chris Edwards. He was the first person that contracted HIV that I knew, and he died within 18 months. So Russell T. Davies. Peter Hoar, the amazing director, and myself were of the generation who had lived through this, but for the young cast it was something that was about history, so that work of really exploring it was important. And also then, there was a cast member for whom the experience of HIV was a lived experience. I worked with two fantastic intimacy practitioners who were both under mentorship at that point in time, Elle McAlpine and David Thackeray."

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast