In this episode, we discuss David Robert Mitchell’s Under The Silver Lake, Quentin Tarantino’s Friday the 13th, Nick’s illnesses, pre-COVID Los Angeles, Hitchcock, right-wing radicalization, the White Ring, how poorly our lives are going and the black experience.

In this episode, comedian and special guest Chris D’Aiello joins us as we discuss Alejandro Iñárritu’s Birdman, the virtues of ignorance, what it means to be a standup comic, a guy’s dream room, dying on Fear Factor, Shakespeare adaptations, differentiating between reality and fantasy, Dork Diaries, and the fall of the Amazing Comedy Theater.

In this episode, we discuss Ted Kotcheff's First Blood, the Arnold and Sly rivalry, balancing action and drama, afro-yamakas, police brutality, how Rambo is a homicidal maniac, our funerals, and whether or not the CIA is trying to take down Let Em Watch.

In this episode, friend of the hosts Jake Johnson crashes the show as we discuss Steven Spielberg's Minority Report, environmental storytelling, being Marvelpilled, living in a digital bureaucracy, trouble at the DMV, the art of DVD menus, and living the van life.

In this episode, we discuss John McTiernan's Predator, genre blending, eugenics, subverting Arnold as an action hero, Asian accents, UFC champions, the importance of memorable side characters, furries in Chuck E. Cheese, and why Arnold is the forgotten final girl.

In this episode, spiritual advisor Triston Andrews joins us as we go off the rails and discuss David Fincher's Zodiac, how Bernie Sanders might be the killer, Riverside never getting the credit it deserves, the Unabomber, our personal lore, and pretty much everything except Zodiac.

In this episode, we discuss Oliver Stone's JFK, the importance of editing, coverups, why conspiracies are now a partisan issue, how women don't understand obsession, sigma Nixon edits, and what happens when the groupchat leaks.

In this episode, we discuss David Twohy's Pitch Black, what race Vin Diesel is, color theory, shifting protagonists, worldbuilding and original sci-fi, why Jons is a good ol’ boy, and why it's the best film for Islamic representation.